{"id":3453,"date":"2024-08-08T19:10:09","date_gmt":"2024-08-08T17:10:09","guid":{"rendered":"http:\/\/obkgqww.cluster023.hosting.ovh.net\/?page_id=3453"},"modified":"2025-01-11T11:04:48","modified_gmt":"2025-01-11T10:04:48","slug":"compilations","status":"publish","type":"page","link":"https:\/\/www.berlioz-anhb.com\/index.php\/mieux-connaitre-berlioz\/ecouter\/discographie-cumulative\/compilations\/","title":{"rendered":"Compilations"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">Compilations<\/h3>\n\n\n\n<figure class=\"wp-block-table is-style-stripes\"><table><tbody><tr><td><\/td><\/tr><tr><td><strong>Une amoureuse flamme<\/strong><br>Massenet,&nbsp;<em>Cendrillon<\/em>, Acte III, \u00ab Enfin je suis ici\u2026 \u00bb. Cendrillon<br>Saint-Sa\u00ebns,&nbsp;<em>Henry VIII<\/em>, Acte IV, \u00ab \u00d4 cruel souvenir \u00bb. Catherine d\u2019Aragon<br>Massenet,&nbsp;<em>Le Cid<\/em>, Acte III, sc\u00e8ne 1, \u00ab De cet affreux combat\u2026 Pleurez ! pleurez mes yeux !\u2026 \u00bb. Chim\u00e8ne<br>Berlioz,&nbsp;<em>La Damnation de Faust<\/em>, partie IV, sc\u00e8ne 5, romance \u00ab D\u2019amour l\u2019ardente flamme \u00bb. Marguerite<br>Gounod,&nbsp;<em>Sapho<\/em>, Acte III, \u00ab O\u00f9 suis je ?\u2026 \u00d4 ma lyre immortelle \u00bb. Sapho<br>Massenet,&nbsp;<em>Werther<\/em>, pr\u00e9lude.<br>Massenet,&nbsp;<em>Werther<\/em>, Acte III, Air des lettres : \u00ab Werther\u2026 Werther\u2026 Qui m\u2019aurait dit la place\u2026 je vous \u00e9cris de ma petite chambre \u00bb. Charlotte<br>Massenet,&nbsp;<em>Werther<\/em>, Acte III, \u00ab Va, laisse couler mes larmes\u2026 \u00bb. Charlotte<br>Hal\u00e9vy,&nbsp;<em>La Juive<\/em>, Acte II, \u00ab Il va venir et d\u2019effroi\u2026 \u00bb. Rachel<br>Bizet,&nbsp;<em>Carmen<\/em>, \u00ab L\u2019amour est enfant de Boh\u00eame \u00bb. Carmen<br>Gounod,&nbsp;<em>La Reine de Saba<\/em>, Acte III, \u00ab Me voil\u00e0 seule enfin\u2026 Plus grand, dans son obscurit\u00e9 \u00bb. Balkis<br><br>Karine Deshayes, mezzo-soprano<br>Orchestre Victor Hugo<br>Jean-Fran\u00e7ois Verdier, direction<br><br>1 CD Klarthe<br>Enregistr\u00e9 en mai 2018<br><br><strong>The Franchomme Project<\/strong><br><strong>Newly discovered works by Auguste Franchomme<\/strong><br>Chopin : Ballade n\u00b0 2, op. 38 : Andantino ; arr. pour quatre violoncelles (transcription de Louise Dubin)<br>Caprice pour le violoncelle sur Preciosa de Weber, op. 24, n\u00b0 2 (1841)<br>Nocturne, op. 15, n\u00b0 1 pour deux violoncelles (1839)<br>Nocturne, op. 14, n\u00b0 1 pour deux violoncelles (1838)<br><em>Dix M\u00e9lodies italiennes&nbsp;<\/em>, op. 17, n\u00b0 6 La Norma de Bellini, arr. pour violoncelle et piano (1840)<br>Caprice, op. 7, n\u00b0 1 pour deux violoncelles (1835)<br>Chopin : Pr\u00e9lude, op. 28, n\u00b0 9, arr. pour quatre violoncelles (transcription de Louise Dubin)<br>Caprice, op. 7, n\u00b0 9 pour deux violoncelles (1835)<br>Solo pour le violoncelle, op. 18, n\u00b0 3, avec piano (1840)<br>Chopin : Marche fun\u00e8bre (Sonate pour piano n\u00b0 2, op. 35), arr. pour quatre violoncelles (transcription de Louise Dubin)<br>Chopin : Mazurka, op. 33, n\u00b0 3, arr. pour violoncelle et piano<br>Nocturne, op. 15, n\u00b0 2, pour deux violoncelles<br>Nocturne, op. 15, n\u00b0 3, pour deux violoncelles<br>Chopin : Polonaise brillante pr\u00e9c\u00e9d\u00e9e d\u2019une introduction, op. 3, pour piano et violoncelle (1829-30 arr. Franchomme 1860)<br><br>Louise Dubin, Julia Bruskin, S\u00e6unn Thorsteinsd\u00f3ttir, Katherine Cherbas (violoncelles) H\u00e9l\u00e8ne Jeanney et Andrea Lam (piano)<br><br>1 CD DELOS DE3469<br>Enregistr\u00e9 en 2012-2014, Gene and Shelley Enlow Recital Hall, Kean University, Union, New Jersey<br><br><strong>\u00c9vocation<\/strong><br>M\u00e9lodies de Chausson, Debussy, Koechlin, Schoenberg, Strauss, ZemlinskySandrine Piau,&nbsp;soprano ; Susan Manoff, piano.Enregistr\u00e9 en 2006.CD Naive V5063<br><br><strong>Romantic French Arias<\/strong><br>Joan Sutherland, soprano ; Orchestre de la Suisse romande&nbsp;; dir. Richard Bonynge.<br>Enregistr\u00e9 au Victoria Hall, Gen\u00e8ve, en septembre 1969.<br>2CD Decca Coll. \u00ab&nbsp;The Originals&nbsp;\u00bb<br><br><strong><em>Roma Triumphans<\/em><\/strong><br>Musique polychorale des \u00e9glises de Rome et du Vatican<br><a href=\"http:\/\/www.atmaclassique.com\/fr\/artistes\/artistes_show.asp?id=162\"><\/a>Studio de musique ancienne de Montr\u00e9al (SMAM)<br>Christopher Jackson (direction artistique)<br>Sylvain Bergeron, th\u00e9orbe&nbsp;;&nbsp; Karen Kadevarek, violoncelle&nbsp;; R\u00e9jean Poirer, orgue positif.<br>CD Atma SACD2 2507<br><br><strong>Orthodox Chant of the 17th &amp; 18th Centuries<\/strong><br>Saint-P\u00e9tersbourg, xviie et xviiie si\u00e8clesBortniansky, Titov, Galuppi, Sarti, Vedel<br>Estonian Philharmonic Chamber Choir<br>dir. Paul Hillier<br>CD HMG 507318<br><br><strong>Italian Opera Arias<\/strong><br><em><strong>La Traviata<\/strong><\/em>,<strong>&nbsp;<em>I Puritani<\/em>,&nbsp;<em>Maria Stuarda<\/em>,&nbsp;<em>Rigoletto<\/em>,&nbsp;<em>I Capuleti e i Montecchi<\/em>,&nbsp;<em>Lucia di Lammermoor&nbsp;<\/em>&nbsp;<br>Natalie Dessay,&nbsp;soprano ; Concerto K\u00f6ln, dir. Evelino Pid\u00f3.<br><\/strong>CD Virgin Classics 50999 511&nbsp;872 2 4<br><br><strong>La Serenata<\/strong><br><strong>Songs by Donizetti, Offenbach, Thomas<\/strong>,&nbsp;<strong>Mercadante, Pacini, Campana, Mariani<\/strong>,&nbsp;<strong>Elwart, Coppola<\/strong>,&nbsp;<strong>Beauplan<\/strong><br>Majella Cullagh, soprano&nbsp;; Elizabeth Vidal, soprano&nbsp;; Sine Bundgaard, soprano&nbsp;; Diana Montague, mezzo-soprano&nbsp;; Bruce Ford, t\u00e9nor&nbsp;; Barry Banks, t\u00e9nor&nbsp;; Paul Austin Kelly, t\u00e9nor&nbsp;; Mark Stone, baryton&nbsp;; Roland Wood, baryton&nbsp;; David Harper, piano&nbsp;; Susie Beer, violoncelle&nbsp;; Richard Simpson, hautbois.Enregistr\u00e9 \u00e0 St. Clement\u2019s, St. Barnaby\u2019s et St. Matthew\u2019s , Londres, mars 2005.<br>CD Opera Rara ORR242 Coll. \u00ab Il Salotto \u00bb, 11<br><br><strong>Joseph Schmidt (1904-1942), t\u00e9nor<\/strong><em>Arias and Songs&nbsp;(1929-1936 recordings)<\/em><br>Airs d\u2019op\u00e9ras de Stradella, Mozart, Donizetti, Flotow, Hal\u00e9vy, Meyerbeer, Massenet, Tcha\u00efkovski, Leoncavallo, Verdi et Puccini&nbsp;; Airs d\u2019op\u00e9ras et op\u00e9rettes de Johann Strauss II, Leh\u00e1r, Dellinger, Adam, von Mory, Goetze et Smetana&nbsp;; M\u00e9lodies de Rossini, Meyer-Helmund, Lewinnek, Niederberger, Serrano, Biscardi, Leoncavallo, Tosti, Buzzi-Peccia et May<br>Joseph Schmidt, t\u00e9nor.<br>2CDNaxos 8.111318-19 Coll. \u00ab&nbsp;Naxos Historical&nbsp;\u00bb<br><br><strong>Cesare Siepi<\/strong><br><strong>Verdi&nbsp;<\/strong>*,&nbsp;<em>Ernani<\/em>,&nbsp;<em>Nabucco<\/em>,&nbsp;<em>I Vespri Siciliani<\/em>,&nbsp;<em>Don Carlo&nbsp;<\/em>;&nbsp;<strong>Bo\u00efto&nbsp;<\/strong>*,&nbsp;<em>Mefistofele&nbsp;<\/em>;&nbsp;<strong>Ponchielli&nbsp;<\/strong>*,&nbsp;<em>La Gioconda&nbsp;<\/em>;&nbsp;<strong>Bellini&nbsp;<\/strong>,&nbsp;<em>La Sonnambula&nbsp;<\/em>;&nbsp;<strong>Rossini<\/strong>,&nbsp;<em>L\u2019Italiana in Algeri&nbsp;<\/em>**,&nbsp;<em>Il Barbiere di Seviglia&nbsp;<\/em>; Mozart,&nbsp;<em>Don Giovanni&nbsp;<\/em>; Tosti,&nbsp;<em>L\u2019ultima canzone<\/em>,&nbsp;<em>Non t\u2019amo pi\u00f9<\/em>,&nbsp;<em>Malia<\/em>,&nbsp;<em>Serenata&nbsp;<\/em>;&nbsp;<strong>Denza<\/strong>,&nbsp;<em>Occhi di fata&nbsp;<\/em>;&nbsp;<strong>Rotoli<\/strong>,&nbsp;<em>Mi sposa sara la mia bandiera&nbsp;<\/em>;&nbsp;<strong>Broggi&nbsp;<\/strong>,&nbsp;<em>Visione Veneziana&nbsp;<\/em>&nbsp;;&nbsp;<strong>Billi<\/strong>,&nbsp;<em>E cana il grillo<\/em><br>Cesare Siepi, basse&nbsp;; Orchestra Sinfonica Radio italiana, dir. * Arturo Basile et ** Alfredo Simonetto.<br>Enregistr\u00e9 en 1947 et 1948.<br>CD Nimbus NI7942 Coll. \u00ab Prima Voce&nbsp;\u00bb<br><br><strong>Alexander Kipnis<\/strong>&nbsp;(1891-1978)<br><em>Roussalka<\/em>,&nbsp;<em>Eug\u00e8ne On\u00e9guine<\/em>,&nbsp;<em>Le Prince Igor<\/em>,&nbsp;<em>Sadko<\/em>,&nbsp;<em>Chanson de M\u00e9phistoph\u00e9l\u00e8s<\/em>,&nbsp;<em>Boris Godounov<\/em>Ch\u0153ur et orchestre, dir. Nicolai Berezovski.<br>CD Nimbus Records NI 7950 Coll. \u00ab&nbsp;Prima Voce&nbsp;\u00bb<br>Enregistr\u00e9 en 1945 et 1946.<br><br><em><strong>Heroes and Villains<\/strong><\/em><br>Borodine,&nbsp;<em>Le Prince Igor&nbsp;<\/em>; Moussorgski,&nbsp;<em>Boris Godounov<\/em>,&nbsp;<em>Khovanschina<\/em>&nbsp;; Rubinstein,&nbsp;<em>The Demon<\/em>,&nbsp;<em>Nero&nbsp;<\/em>; Wagner,&nbsp;<em>Tannh\u00e4user&nbsp;<\/em>; Giordano,&nbsp;<em>Andrea Chenier&nbsp;<\/em>; Verdi,&nbsp;<em>La Forza del Destino&nbsp;<\/em>; Leoncavallo,&nbsp;<em>Pagliacci&nbsp;<\/em>; Puccini,&nbsp;<em>Tosca&nbsp;<\/em>; Gounod,&nbsp;<em>Faust&nbsp;<\/em>; Massenet,&nbsp;<em>H\u00e9rodiade&nbsp;<\/em>; Bizet,&nbsp;<em>Carmen&nbsp;<\/em>; Thomas,&nbsp;<em>Hamlet<\/em><br>Dmitri Hvorostovsky, baryton&nbsp;; Spiritual Revival Choir of Russia (Lev Kontorovich, chef de ch\u0153ur) Philharmonia of Russia, dir. Constantine Orbelian.<br>CD Delos DE 3365<br><br><strong><em>Virtuoso Violin<\/em><\/strong><br>Wieniawski, Paganini, Ernst, SarasateLidia Kovalenko,<strong>&nbsp;<\/strong>violon&nbsp;; Igor Uryash,<strong>&nbsp;<\/strong>piano.<br>CD Northern Flowers NF\/PMA 9956 Coll. \u00ab St.&nbsp;Petersburg Musical Archive&nbsp;\u00bb<br><br><strong>Constant Lambert<\/strong><br><em>Romeo and Juliet&nbsp;<\/em>(A Ballet in two Tableaux)&nbsp;;&nbsp;<em>Pomona&nbsp;<\/em>(A Ballet in one Act)&nbsp;;&nbsp;<em>Music for Orchestra&nbsp;<\/em>*&nbsp;;&nbsp;<em>King Pest: Rondo Burlesca&nbsp;<\/em>**<br>English Chamber Orchestra, dir. Norman Del Mar&nbsp;; * London Philharmonic Orchestra, dir. Barry Wordsworth&nbsp;; ** Royal Philharmonic Orchestra, dir. Simon Joly.<br>CD Lyrita SRCD215<\/td><\/tr><tr><td>&nbsp;<\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Compilations Une amoureuse flammeMassenet,&nbsp;Cendrillon, Acte III, \u00ab Enfin je suis ici\u2026 \u00bb. CendrillonSaint-Sa\u00ebns,&nbsp;Henry VIII, Acte IV, \u00ab \u00d4 cruel souvenir \u00bb. Catherine d\u2019AragonMassenet,&nbsp;Le Cid, Acte III, sc\u00e8ne 1, \u00ab De [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3243,"parent":2846,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3453","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.berlioz-anhb.com\/index.php\/wp-json\/wp\/v2\/pages\/3453","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.berlioz-anhb.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.berlioz-anhb.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.berlioz-anhb.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.berlioz-anhb.com\/index.php\/wp-json\/wp\/v2\/comments?post=3453"}],"version-history":[{"count":5,"href":"https:\/\/www.berlioz-anhb.com\/index.php\/wp-json\/wp\/v2\/pages\/3453\/revisions"}],"predecessor-version":[{"id":4360,"href":"https:\/\/www.berlioz-anhb.com\/index.php\/wp-json\/wp\/v2\/pages\/3453\/revisions\/4360"}],"up":[{"embeddable":true,"href":"https:\/\/www.berlioz-anhb.com\/index.php\/wp-json\/wp\/v2\/pages\/2846"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.berlioz-anhb.com\/index.php\/wp-json\/wp\/v2\/media\/3243"}],"wp:attachment":[{"href":"https:\/\/www.berlioz-anhb.com\/index.php\/wp-json\/wp\/v2\/media?parent=3453"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}