{"id":2846,"date":"2024-07-23T00:49:52","date_gmt":"2024-07-22T22:49:52","guid":{"rendered":"http:\/\/obkgqww.cluster023.hosting.ovh.net\/?page_id=2846"},"modified":"2025-12-30T19:17:42","modified_gmt":"2025-12-30T18:17:42","slug":"discographie-cumulative","status":"publish","type":"page","link":"https:\/\/www.berlioz-anhb.com\/index.php\/mieux-connaitre-berlioz\/ecouter\/discographie-cumulative\/","title":{"rendered":"Discographie cumulative\u00a0"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_mad_blog_posts items=&#8221;10&#8243; categories=&#8221;disques-et-dvds-archives&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\r\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\">\r\n<summary>Aide \u00e0 la recherche dans ces pages discographiques<\/summary>\r\n\r\n\r\n\r\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>Si vous souhaitez rechercher dans ces pages un compositeur, une \u0153uvre ou toute autre information relative \u00e0 un enregistrement :<br \/>\r\nSur l&#8217;\u00e9cran de votre ordinateur, en haut \u00e0 gauche, cliquez sur \u00ab <strong>Edition <\/strong>\u00bb, puis sur \u00ab <strong>Rechercher dans cette page<\/strong> \u00bb (ou bien appuyez simultan\u00e9ment sur les touches &#8220;<strong>Ctrl<\/strong>&#8221; et &#8220;<strong>F<\/strong>&#8221; du clavier).<br \/>\r\nEnsuite inscrivez le terme recherch\u00e9 et cliquez sur \u00ab <strong>Suivant <\/strong>\u00bb ou \u00ab <strong>Pr\u00e9c\u00e9dent <\/strong>\u00bb.<\/p>\r\n<\/blockquote>\r\n\r\n\r\n<p><\/details>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n<p>Classement chronologique<\/p>\r\n\r\n\r\n<hr class=\"wp-block-separator has-text-color has-cyan-bluish-gray-color has-alpha-channel-opacity has-cyan-bluish-gray-background-color has-background\"\/>\r\n\r\n\r\n<h3 class=\"wp-block-heading\"><strong>2020<\/strong><\/h3>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">Mars 2020<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><strong><em>Grande Messe des morts<\/em> (Requiem)<\/strong><\/h5>\r\n\r\n<p>Barry Banks, t\u00e9nor<br \/>\r\nLondon Symphony Chorus<br \/>\r\nLondon Philharmonic Choir<br \/>\r\nLondon Symphony Orchestra<br \/>\r\nSir Colin Davis<\/p>\r\n\r\n<p>2 CD Alto ALC 1607<br \/>\r\nEnregistr\u00e9 en 2012, St Paul&#8217;s Cathedral, Londres<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><strong><em>Les Amours d&#8217;un Rossignol :<\/em> Musique pour le flageolet fran\u00e7ais<\/strong><\/h5>\r\n\r\n<p>Berlioz, M\u00e9moires . \u00ab Mes premi\u00e8res le\u00e7ons&#8230; \u00bb<br \/>\r\nBerlioz, <em>Le D\u00e9pit de la berg\u00e8re<\/em><br \/>\r\nEdme Collinet, \u00ab Collinet. Virtuose sur le flageolet&#8230; \u00bb<br \/>\r\nEdme Collinet, S\u00e9r\u00e9nade n\u00b0 1 : Introduction. Andantino-Variations 1 \u00e0 4<br \/>\r\nLouis Jullien, <em>Le Rossignol<\/em><br \/>\r\nPhilippe Musard, Galops n\u00b0 1, 2 et 3<br \/>\r\nDivers compositeurs<\/p>\r\n\r\n<p>La Simphonie du Marais<br \/>\r\nHugo Reyne<\/p>\r\n\r\n<p>2 CD + 1 DVD Musiques \u00e0 la Chabotterie<\/p>\r\n\r\n<p>VID\u00c9O :<br \/>\r\nEntretien avec Hugo Reyne<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><strong><em>Symphonie fantastique<\/em><\/strong> et autres oeuvres<\/h5>\r\n\r\n<p><em>Symphonie fantastique<\/em><br \/>\r\n<em>R\u00eaverie et Caprice<br \/>\r\nLa Mort d&#8217;Oph\u00e9lie<br \/>\r\nSara la baigneuse<\/em><\/p>\r\n\r\n<p>Philippe Quint, violon<br \/>\r\nUtah Symphony Chorus<br \/>\r\nUniversity of Utah Chamber Choir<br \/>\r\nUtah Symphony<br \/>\r\nThierry Fischer, directeur musical<\/p>\r\n\r\n<p>1 CD Hyperion CDA68324<br \/>\r\nEnregistr\u00e9 en f\u00e9vrier 2019, Abravanel Hall, Salt Lake City, Utah<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">F\u00e9vrier 2020<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><\/h5>\r\n\r\n<p><strong><em>Benvenuto Cellini<\/em><\/strong><\/p>\r\n\r\n<p>Orchestre R\u00e9volutionnaire et Romantique<br \/>\r\nMonteverdi Choir<br \/>\r\nJohn Eliot Gardiner<\/p>\r\n\r\n<p>Sophia Burgos (Teresa)<br \/>\r\nAd\u00e8le Charvet (Ascanio)<br \/>\r\nMichael Spyres (Cellini)<br \/>\r\nVincent Delhoume (Francesco)<br \/>\r\nLionel Lhote (Fieramosca)<br \/>\r\nMaurizio Muraro (Balducci)<br \/>\r\nAshley Riches (Bernardino)<br \/>\r\nTareq Nazmi (le pape Cl\u00e9ment VII)<\/p>\r\n\r\n<p>1 DVD Ch\u00e2teau de Versailles Spectacles CVS020<br \/>\r\nFilm\u00e9 en septembre 2019, Op\u00e9ra Royal du Ch\u00e2teau de Versailles<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><strong><em>Les Nuits d&#8217;\u00e9t\u00e9<\/em><\/strong><\/h5>\r\n\r\n<p>In : <em>Nuit exquise<\/em><\/p>\r\n\r\n<p>Avec :<br \/>\r\nIr\u00e8ne Poldowski, L&#8217;heure exquise<br \/>\r\nClaude Debussy, Clair de lune<br \/>\r\nNadia Boulanger, Le ciel en nuit s&#8217;est d\u00e9pli\u00e9<br \/>\r\nRichard Strauss, Die Nacht<br \/>\r\nRobert Schumann, Op. 90<br \/>\r\nRichard Strauss, Allerseelen<br \/>\r\nC\u00e9sar Franck, Nocturne<br \/>\r\nReynaldo Hahn, L&#8217;heure exquise, Quand la nuit n&#8217;est pas \u00e9toil\u00e9e<\/p>\r\n\r\n<p>Alice Ferri\u00e8re, mezzo-soprano<br \/>\r\nSascha El Mouissi, piano<\/p>\r\n\r\n<p>1 CD Paraty PTY169184<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<hr class=\"wp-block-separator has-text-color has-cyan-bluish-gray-color has-alpha-channel-opacity has-cyan-bluish-gray-background-color has-background\"\/>\r\n\r\n\r\n<h3 class=\"wp-block-heading\"><strong>2019<\/strong><\/h3>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">D\u00e9cembre 2019<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Hector Berlioz, \u00ab Enregistrements inoubliables \u00bb<\/em><\/h5>\r\n\r\n<p>La damnation de Faust, Harold en Italie, Te Deum, Requiem, Rom\u00e9o et Juliette, Symphonie fantastique, Les Troyens \u00e0 Carthage, Ouvertures<\/p>\r\n\r\n<p>Andr\u00e9 Cluytens, Pierre Monteux, Thomas Beecham, Hermann Scherchen, Charles Munch<\/p>\r\n\r\n<p>11 CD Cascavelle, VEL 1590<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">Novembre 2019<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>La Damnation de Faust<\/em><\/h5>\r\n\r\n<p>Joyce DiDonato<br \/>\r\nMichael Spyres<br \/>\r\nNicolas Courjal<br \/>\r\nAlexandre Duhamel<br \/>\r\nVer\u00f3nica Silva<br \/>\r\nCoro Gulbenkian<br \/>\r\nLes Petits Chanteurs de Strasbourg<br \/>\r\nMa\u00eetrise de l&#8217;Op\u00e9ra national du Rhin<br \/>\r\nOrchestre philharmonique de Strasbourg<br \/>\r\nJohn Nelson<\/p>\r\n\r\n<p>2 CD + DVD Video Erato 9029541735<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><strong><em>Une soir\u00e9e chez Berlioz<\/em><\/strong><\/h5>\r\n\r\n<p>Berlioz, La Captive, Le Jeune P\u00e2tre breton, Fleuve du Tage, La Damnation de Faust , Danse des sylphes (transcription : Franz Liszt), \u00c9l\u00e9gie en prose, Harold en Italie , Marche de p\u00e8lerins (transcription : Franz Liszt)<\/p>\r\n\r\n<p>Avec Martini, L\u00e9lu, Devienne, Zani de Ferranti, Dalayrac, Liszt, Della Maria, Meissonnier, Plantade<\/p>\r\n\r\n<p>St\u00e9phanie d&#8217;Oustrac, mezzo-soprano<br \/>\r\nThibaut Roussel, guitare<br \/>\r\nTanguy de Williencourt, violoncelle<br \/>\r\nLionel Renoux, cor naturel<br \/>\r\nBruno Philippe, violoncelle<br \/>\r\nCaroline Lieby, harpe<\/p>\r\n\r\n<p>1 CD Harmonia Mundi HMM902504<\/p>\r\n\r\n<p>Enregistr\u00e9 \u00e0 Amphith\u00e9\u00e2tre, Cit\u00e9 de la Musique-Philharmonie de Paris, en juin 2019<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><strong><em>Messe solennelle&nbsp;<\/em><\/strong><\/h5>\r\n\r\n<p>Le Concert Spirituel<br \/>\r\nHerv\u00e9 Niquet<\/p>\r\n\r\n<p>Adriana Gonzalez<br \/>\r\nJulien Behr, t\u00e9nor<br \/>\r\nAndreas Wolf, baryton<\/p>\r\n\r\n<p>1 CD ALPHA564<br \/>\r\nEnregistr\u00e9 \u00e0 la Chapelle Royale du Ch\u00e2teau de Versailles<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><strong><em>Une amoureuse flamme<\/em><\/strong><\/h5>\r\n\r\n<p>Berlioz, La Damnation de Faust, Romance de Marguerite<\/p>\r\n\r\n<p>Avec extraits de :<br \/>\r\nMassenet, Cendrillon, Le Cid, Werther<br \/>\r\nSaint-Sa\u00ebns, Henry VIII<br \/>\r\nGounod, Sapho<br \/>\r\nHal\u00e9vy, La Juive<br \/>\r\nBizet, Carmen<br \/>\r\nGounod, La Reine de Saba<\/p>\r\n\r\n<p>Karine Deshayes, mezzo-soprano<br \/>\r\nOrchestre Victor Hugo<br \/>\r\nJean-Fran\u00e7ois Verdier, direction<\/p>\r\n\r\n<p>1 CD Klarthe<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><strong><em>Benjamin Bernheim&nbsp;<\/em><\/strong><\/h5>\r\n\r\n<p>Airs d&#8217;op\u00e9ras de Massenet, Donizetti, Gounod, Verdi, Tcha\u00efkovski, Godard, Berlioz, Puccini<\/p>\r\n\r\n<p>Prague Philharmonia<br \/>\r\nEmmanuel Vuillaume<\/p>\r\n\r\n<p>1 CD DG enr. 2018-2019<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Symphonie fantastique<\/em><\/h5>\r\n\r\n<p><em>Grande Ouverture des Francs-Juges<\/em><\/p>\r\n\r\n<p>Les Si\u00e8cles<br \/>\r\nFran\u00e7ois-Xavier Roth<\/p>\r\n\r\n<p>Sur instruments d&#8217;\u00e9poque<\/p>\r\n\r\n<p>1 CD Harmonia mundi HMM902644<br \/>\r\nEnregistr\u00e9 \u00e0 la Maison de l&#8217;Orchestre national d&#8217;\u00cele-de-France, Alfortville, les 16 et 17 juillet 2019<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Gluck, Orph\u00e9e et Eurydice (Version remani\u00e9e par Hector Berlioz)<\/em><\/h5>\r\n\r\n<p>Marianne Crebassa (Orph\u00e9e)<br \/>\r\nH\u00e9l\u00e8ne Guilmette (Eurydice)<br \/>\r\nLea Desandre (Amour)<\/p>\r\n\r\n<p>Ensemble Pygmalion<br \/>\r\nRapha\u00ebl Pichon, direction musicale<\/p>\r\n\r\n<p>Aur\u00e9lien Bory, mise en sc\u00e8ne et d\u00e9cors<\/p>\r\n\r\n<p>1 DVD Naxos 2.110638<br \/>\r\n1 DVD Blu-ray Naxos NBD0100V<br \/>\r\nEnregistr\u00e9 \u00e0 l&#8217;Op\u00e9ra-Comique, Paris, les 16 et 18 octobre 2018<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">Octobre 2019<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Romances pour voix et guitare<\/em><\/h5>\r\n\r\n<p>Magali Simard-Gald\u00e8s, soprano<br \/>\r\nAntonio Figueroa, t\u00e9nor<br \/>\r\nDavid Jacques, guitare<\/p>\r\n\r\n<p>Guitare Jean-Joseph Coff\u00e9 (1829)<\/p>\r\n\r\n<p>1 CD ATMA Classique ACD2 2800<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">Septembre 2019<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Grande Messe des morts<\/em> (Requiem)<\/h5>\r\n\r\n<p>Michael Spyres, t\u00e9nor<br \/>\r\nLondon Philharmonic Choir<br \/>\r\nPhilharmonia Chorus<br \/>\r\nPhilharmonia Orchestra<br \/>\r\nJohn Nelson<\/p>\r\n\r\n<p>CD Erato 9029543064 + DVD Video<br \/>\r\nEnregistr\u00e9 en public \u00e0 St Paul&#8217;s Cathedral, Londres, en mars 2019<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">Juillet 2019<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Symphonie fantastique<br \/>\r\nFantaisie sur La Temp\u00eate de Shakespeare<\/em><\/h5>\r\n\r\n<p>Toronto Mendelssohn Choir<br \/>\r\nDavid Fallis, chef de ch\u0153ur par int\u00e9rim et directeur artistique<br \/>\r\nToronto Symphony Orchestra<br \/>\r\nSir Andrew Davis<\/p>\r\n\r\n<p>1 CD Chandos CHSA 5239<br \/>\r\nEnregistr\u00e9 en 2018<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">Juin 2019<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Symphonie fantastique<br \/>\r\nOuverture du Corsaire<br \/>\r\nCl\u00e9op\u00e2tre<br \/>\r\nAh ! Je vais mourir (Les Troyens)<\/em><\/h5>\r\n\r\n<p>Lucile Richardot, contralto<br \/>\r\nOrchestre R\u00e9volutionnaire et Romantique<br \/>\r\nSir John Eliot Gardiner<\/p>\r\n\r\n<p>1 DVD Vid\u00e9o + Blu-ray Ch\u00e2teau de Versailles Spectacles CVS011<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Harty and Monteux conduct Berlioz (1927-1935)<\/em><\/h5>\r\n\r\n<p><em>B\u00e9atrice et B\u00e9n\u00e9dict<\/em>, ouverture<br \/>\r\nRom\u00e9o seul, Grande f\u00eate chez Capulet ( <em>Rom\u00e9o et Juliette<\/em> )<br \/>\r\nLa Reine Mab ou la f\u00e9e des songes ( <em>Rom\u00e9o et Juliette<\/em> )<br \/>\r\nDanse des sylphes, Marche hongroise ( <em>La Damnation de Faust<\/em> )<br \/>\r\nChasse royale et Orage ( <em>Les Troyens<\/em> )<br \/>\r\nMarche fun\u00e8bre pour la derni\u00e8re sc\u00e8ne d&#8217;Hamlet<br \/>\r\n<em>Le Carnaval romain<\/em><\/p>\r\n\r\n<p>London Philharmonic Orchestra<br \/>\r\nHall\u00e9 Orchestra<br \/>\r\nSir Hamilton Harty, direction<\/p>\r\n\r\n<p><em>Grande Ouverture du Roi Lear<\/em><br \/>\r\nMarche troyenne ( Les Troyens )<\/p>\r\n\r\n<p>London Symphony Orchestra<br \/>\r\nSir Hamilton Harty, direction<\/p>\r\n\r\n<p>Pr\u00e9lude aux Troyens \u00e0 Carthage<br \/>\r\n<em>Grande Ouverture de Benvenuto Cellini<br \/>\r\nSymphonie fantastique<\/em><\/p>\r\n\r\n<p>Orchestre symphonique de Paris<br \/>\r\nPierre Monteux, direction<\/p>\r\n\r\n<p>2 CD Pristine Classical PASC551<br \/>\r\nEnregistr\u00e9 en studio, de 1927 \u00e0 1935<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Symphonie fantastique, L\u00e9lio<\/em><\/h5>\r\n\r\n<p>Philippe Jordan, direction<br \/>\r\nCyrille Dubois, t\u00e9nor<br \/>\r\nFlorian Sempey, baryton<br \/>\r\nIngrid Marsoner, piano<br \/>\r\nSingverein der Gesellschaft der Musikfreunde<br \/>\r\nWiener Symphoniker<br \/>\r\nJohannes Prinz, chef de ch\u0153ur<br \/>\r\nJean-Philippe Lafont, r\u00e9citant<\/p>\r\n\r\n<p>2 CD Wiener Symphoniker WS020<br \/>\r\nEnregistr\u00e9 \u00e0 Vienne, Musikverein, Goldener Saal, les 10 et 11 novembre 2018<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Si j&#8217;ai aim\u00e9 (Sandrine Piau)<\/em><\/h5>\r\n\r\n<p>Saint-Sa\u00ebns, Extase, Papillons<br \/>\r\nBordes, Promenade matinale<br \/>\r\n<strong>Berlioz, Au cimeti\u00e8re<\/strong><br \/>\r\nMassenet, Le po\u00e8te et le fant\u00f4me<br \/>\r\nPiern\u00e9, Chanson d&#8217;autrefois<br \/>\r\nDubois, Si j&#8217;ai parl\u00e9\u2026 si j&#8217;ai aim\u00e9<br \/>\r\n<strong>Berlioz, Villanelle<\/strong><br \/>\r\nDubois, Promenade \u00e0 l&#8217;\u00e9tang<br \/>\r\nVierne, Beaux papillons blancs<br \/>\r\nDubois, Aux \u00e9toiles<br \/>\r\nGuilmant, Ce que dit le silence<br \/>\r\nDubois, Sous le saule<br \/>\r\nSaint-Sa\u00ebns, Aimons-nous<br \/>\r\nMassenet, Valse tr\u00e8s lente<br \/>\r\nSaint-Sa\u00ebns, L&#8217;enl\u00e8vement<br \/>\r\nGodard, <em>Symphonie gothique<\/em> , grave<br \/>\r\nMartini, <em>Plaisir d&#8217;amour<\/em><\/p>\r\n\r\n<p>Sandrine Piau, soprano<br \/>\r\nLe Concert de la Loge<br \/>\r\nJulien Chauvin, violon et direction<\/p>\r\n\r\n<p>1 CD Alpha 445<\/p>\r\n\r\n<p>Enregistr\u00e9 en mars 2018 \u00e0 Arsenal-Cit\u00e9 musicale de Metz<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\">La Damnation de Faust<\/h5>\r\n\r\n<p>Mathias Vidal (Faust)<br \/>\r\nNicolas Courjal (M\u00e9phistoph\u00e9l\u00e8s)<br \/>\r\nThibault de Damas d&#8217;Anlezy (Brander)<br \/>\r\nAnna Caterina Antonacci (Marguerite)<br \/>\r\nCh\u0153ur Marguerite Louise (Direction Ga\u00ebtan Jarry)<br \/>\r\nLes Si\u00e8cles<br \/>\r\nFran\u00e7ois-Xavier Roth, direction<\/p>\r\n\r\n<p>1 DVD Ch\u00e2teau de Versailles Spectacles CVS010<br \/>\r\nEnregistr\u00e9 \u00e0 Versailles, Op\u00e9ra royal, le 6 novembre 2018<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">Mai 2019<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Clairs de lune<\/em><\/h5>\r\n\r\n<p>Berlioz &amp; Faur\u00e9<\/p>\r\n\r\n<p><em>Les Nuits d&#8217;\u00e9t\u00e9<\/em><br \/>\r\nTranscription pour voix et quatuor \u00e0 cordes<\/p>\r\n\r\n<p>Faur\u00e9<br \/>\r\nQuatuor \u00e0 cordes en mi mineur<br \/>\r\nSix m\u00e9lodies pour voix et quatuor \u00e0 cordes<br \/>\r\n&#8211; La chanson du p\u00eacheur<br \/>\r\n&#8211; Les berceaux<br \/>\r\n&#8211; Les roses d&#8217;Ispahan<br \/>\r\n&#8211; Clair de lune<br \/>\r\n&#8211; La rose<br \/>\r\n&#8211; Apr\u00e8s un r\u00eave<\/p>\r\n\r\n<p>Jean-Paul Fouch\u00e9court<br \/>\r\nQuatuor Manfred<\/p>\r\n\r\n<p>1 CD Paraty PTY719252<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Hector Berlioz &#8211; Enregistrements inoubliables \/ Unforgettable Recordings<\/em><\/h5>\r\n\r\n<p>Beecham\/Martinon\/Monteux\/M\u00fcnch\/Scherchen<\/p>\r\n\r\n<p>11 CD CASCAVELLE &#8211; VEL 1590<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Grande Messe des morts<\/em> (Requiem) R\u00e9\u00e9dition<\/h5>\r\n\r\n<p>Sir Thomas Beecham 1959<\/p>\r\n\r\n<p>Voir r\u00e9\u00e9ditions<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">Avril 2019<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Berlioz Rediscovered<\/em><\/h5>\r\n\r\n<p>Messe solennelle<br \/>\r\nIrlande<br \/>\r\nLe Tr\u00e9buchet<br \/>\r\nLa Mort d&#8217;Oph\u00e9lie<br \/>\r\nHuit Sc\u00e8nes de Faust , Chant de la f\u00eate de P\u00e2ques<br \/>\r\nSymphonie fantastique<br \/>\r\nHarold en Italie<br \/>\r\nTristia<br \/>\r\nRom\u00e9o et Juliette<br \/>\r\nLa Damnation de Faust<\/p>\r\n\r\n<p>Orchestre R\u00e9volutionnaire et Romantique<br \/>\r\nJohn Eliot Gardiner, direction<\/p>\r\n\r\n<p>8 CD + 1 DVD DECCA 48346875<br \/>\r\nEnregistrements de 1978 \u00e0 1995<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Les Nuits d&#8217;\u00e9t\u00e9<\/em><\/h5>\r\n\r\n<p>Ian Bostridge, t\u00e9nor<br \/>\r\nOrchestre Symphonique de Seattle<br \/>\r\nLudovic Morlot, direction<\/p>\r\n\r\n<p>Ravel : Sh\u00e9h\u00e9razade<br \/>\r\nDebussy-Adams : Le Livre de Baudelaire<\/p>\r\n\r\n<p>1 CD Seattle Symphony Media SSM1021<br \/>\r\nEnregistr\u00e9 en 2017<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Berlioz Anniversary Edition<\/em><\/h5>\r\n\r\n<p>Pierre Boulez, Seiji Ozawa, Colin Davis, Daniel Barenboim, Leonard Bernstein, Charles Munch<\/p>\r\n\r\n<p>10 CD Sony Classical 19075938792<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Rom\u00e9o et Juliette<\/em>&nbsp;<\/h5>\r\n\r\n<p>Ouverture de B\u00e9atrice et B\u00e9n\u00e9dict<br \/>\r\nOuverture du Roi Lear<\/p>\r\n\r\n<p>Orchestre National de Lyon<br \/>\r\nLeonard Slatkin, direction<br \/>\r\nMarion Leb\u00e8gue, mezzo-soprano<br \/>\r\nJulien Behr, t\u00e9nor<br \/>\r\nFr\u00e9d\u00e9ric Caton, basse<\/p>\r\n\r\n<p>2 CD NAXOS \u2013 734495085<br \/>\r\nEnregistr\u00e9 \u00e0 l&#8217;Auditorium de Lyon en f\u00e9vrier et septembre 2014<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">Mars 2019<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>L&#8217;Enfance du Christ<\/em><\/h5>\r\n\r\n<p>Andrew Staples, t\u00e9nor (R\u00e9citant)<br \/>\r\nSasha Cooke, mezzo-soprano (Sainte Marie)<br \/>\r\nRoderick Williams, baryton (Saint Joseph)<br \/>\r\nMatthew Brook, baryton-basse (H\u00e9rode, P\u00e8re de famille)<br \/>\r\nShane Lowrencev, baryton-basse (Polydorus)<br \/>\r\nAndrew Goodwin, t\u00e9nor (Centurion)<br \/>\r\nMelbourne Symphony Orchestra Chorus<br \/>\r\nWarren Trevelyan-Jones, chef de ch\u0153ur<br \/>\r\nMelbourne Symphony Orchestra<br \/>\r\nSir Andrew Davis<\/p>\r\n\r\n<p>1 CD Chandos CHAN 5228<br \/>\r\nEnregistr\u00e9 \u00e0 Hamer Hall, The Arts Centre, Melbourne, les 15, 16 et 18 juin 2018<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>La Damnation de Faust<\/em><\/h5>\r\n\r\n<p>Bryan Hymel, Christopher Purves, G\u00e1bor Bretz, Karen Cargill<br \/>\r\nLondon Symphony Chorus, London Symphony Orchestra<br \/>\r\nSir Simon Rattle<\/p>\r\n\r\n<p>2 Hybrid SACD LSO Live LSO0809<br \/>\r\nEnregistr\u00e9 en public au Barbican Hall, Londres, les 17 et 19 septembre 2017<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">F\u00e9vrier 2019<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Hector Berlioz &#8211; Berliner Philharmoniker. Claudio Abbado; Daniel Barenboim; Mariss Jansons; Georges Pr\u00eatre; Sir Simon Rattle<\/em><\/h5>\r\n\r\n<p>Marche hongroise, Invocation \u00e0 la nature ( <em>La Damnation de Faust<\/em> )<br \/>\r\nDaniel Barenboim<\/p>\r\n\r\n<p><em>Le Carnaval romain<\/em><br \/>\r\nGeorges Pr\u00eatre<\/p>\r\n\r\n<p>Marche hongroise ( <em>La Damnation de Faust<\/em> )<br \/>\r\n<em>Le Carnaval romain<\/em><br \/>\r\nClaudio Abbado<\/p>\r\n\r\n<p><em>Symphonie fantastique<\/em><br \/>\r\nMariss Jansons<\/p>\r\n\r\n<p><em>Ouverture du Corsaire<\/em><br \/>\r\nSir Simon Rattle<\/p>\r\n\r\n<p>1 DVD EuroArts 8024254658<br \/>\r\nEnregistr\u00e9 en 1992, 1996, 1998, 2001, 2005<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Fantastic Berlioz<\/em><\/h5>\r\n\r\n<p>Renaud Capu\u00e7on, Joyce DiDonato, Daniel Harding, Elsa Dreisig, Jeff Cohen, Leonard Bernstein, Sir Simon Rattle, Donald McInnes, Susan Graham, Patrick Roger, Kent Nagano, Janet Baker, Sir John Barbirolli, Jean-Luc Viala, Sylvia McNair, Catherine Robbin, John Nelson, Riccardo Muti, Mariss Jansons, Michel Plasson, Louis Fr\u00e9maux, Michael Spyres<\/p>\r\n\r\n<p>3 CD Warner Classics 9029549948&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Les Nuits d&#8217;\u00e9t\u00e9, La Mort d&#8217;Oph\u00e9lie<\/em><\/h5>\r\n\r\n<p>In : <em>Sir\u00e8nes<\/em><\/p>\r\n\r\n<p>Wagner, Wesendonck Lieder<br \/>\r\nLiszt, Lieder<\/p>\r\n\r\n<p>St\u00e9phanie d&#8217;Oustrac, mezzo-soprano<br \/>\r\nPascal Jourdan, piano<\/p>\r\n\r\n<p>1 CD Harmonia Mundi HMM902621<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">Janvier 2019<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Hector Berlioz \u2013 The Complete Works<\/em><\/h5>\r\n\r\n<p>Sir Roger Norrington, Sir Adrian Boult, Mariss Jansons, Louis Fr\u00e9maux, Jean Martinon, Leonard Bernstein, Riccardo Muti, Sir Colin Davis, D\u00e9sir\u00e9 Dondeyne, Daniel Harding, Michel Plasson, Louis Langr\u00e9e, Yutaka Sado, Jean-Claude Casadesus, John Eliot Gardiner, Sir John Barbirolli, Kent Nagano, Charles Dutoit, Fran\u00e7ois-Xavier Roth, Laurence Equilbey<\/p>\r\n\r\n<p>27 CD Warner Classics 9029561444&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Daniel Barenboim \u2013 The Complete Berlioz Recordings on Deutsche Grammophon<\/em><\/h5>\r\n\r\n<p><em>Symphonie fantastique<br \/>\r\nGrande Messe des Morts<\/em> (Requiem)<br \/>\r\n<em>Rom\u00e9o et Juliette<br \/>\r\nLa Damnation de Faust<br \/>\r\nLes Nuits d&#8217;\u00e9t\u00e9<br \/>\r\nB\u00e9atrice et B\u00e9n\u00e9dict<\/em><\/p>\r\n\r\n<p>Placido Domingo, Dietrich Fischer-Dieskau, Jessye Norman, Kiri Te Kanawa<br \/>\r\nOrchestre de Paris<br \/>\r\nDaniel Barenboim<\/p>\r\n\r\n<p>10 CD DG 0289 483 6412 1<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Symphonie fantastique<\/em><\/h5>\r\n\r\n<p>Roussel : Symphonie n\u00b0 3<br \/>\r\nSaint-Sa\u00ebns : Le Rouet d&#8217;Omphale<br \/>\r\nThomas : Ouverture de Raymond<\/p>\r\n\r\n<p>Orchestre national de France<br \/>\r\nLeonard Bernstein<\/p>\r\n\r\n<p>1 DVD C Major 746808<br \/>\r\nEnregistrements 1976 &#8211; 1981<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Symphonie fantastique (piano vis-\u00e0-vis)<\/em><\/h5>\r\n\r\n<p>Jean-Fran\u00e7ois Heisser, piano<br \/>\r\nMarie-Jos\u00e8phe Jude, piano<\/p>\r\n\r\n<p>Piano vis-\u00e0-vis Pleyel, 1928, Paris, Mus\u00e9e de la Musique<\/p>\r\n\r\n<p>1 CD Harmonia mundi HMM902503<br \/>\r\nEnregistr\u00e9 en 2018<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<hr class=\"wp-block-separator has-text-color has-cyan-bluish-gray-color has-alpha-channel-opacity has-cyan-bluish-gray-background-color has-background\"\/>\r\n\r\n\r\n<h3 class=\"wp-block-heading\">2018<\/h3>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">D\u00e9cembre 2018<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Harold en Italie, Les Nuits d&#8217;\u00e9t\u00e9<\/em><\/h5>\r\n\r\n<p>Fran\u00e7ois-Xavier Roth<br \/>\r\nLes Si\u00e8cles<br \/>\r\nTabea Zimmermann<br \/>\r\nSt\u00e9phane Degout<\/p>\r\n\r\n<p>Harmonia Mundi, SACD HMM902634<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">Octobre 2018<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Paul Paray, Orchestre des Concerts Colonne<\/em><\/h5>\r\n\r\n<p>Enregistrements de 1950 : voir r\u00e9\u00e9ditions<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Rom\u00e9o et Juliette<\/em><\/h5>\r\n\r\n<p>Sasha Cooke, mezzo-soprano<br \/>\r\nNicholas Phan, t\u00e9nor<br \/>\r\nLuca Pisaroni, baryton-basse<br \/>\r\nSan Francisco Symphony Chorus<br \/>\r\nSan Francisco Symphony<br \/>\r\nMichael Tilson Thomas<\/p>\r\n\r\n<p>2 CD\/SACD SFS Media 0074<br \/>\r\nEnregistrement de 2017<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Berlioz Odyssey<\/em> : The Complete Sir Colin Davis Recordings<\/h5>\r\n\r\n<p>B\u00e9atrice et B\u00e9n\u00e9dict<br \/>\r\nBenvenuto Cellini<br \/>\r\nGrande Messe des morts (Requiem)<br \/>\r\nHarold en Italie<br \/>\r\nL&#8217;Enfance du Christ<br \/>\r\nLa Damnation de Faust<br \/>\r\nGrande Ouverture des Francs-Juges<br \/>\r\nLes Troyens<br \/>\r\nRom\u00e9o et Juliette<br \/>\r\nSymphonie fantastique<br \/>\r\nTe Deum<\/p>\r\n\r\n<p>London Symphony Orchestra<br \/>\r\nSir Colin Davis<\/p>\r\n\r\n<p>6 SACD + 10 CD LSO Live LSO0827<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">Septembre 2018<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Grande Messe des morts<\/em> (Requiem)<\/h5>\r\n\r\n<p>Bror Magnus T\u00f8denes, t\u00e9nor<br \/>\r\nChoir of Collegium Musicum<br \/>\r\nEdvard Grieg Kor<br \/>\r\nBergen Philharmonic Choir<br \/>\r\nEikanger-Bj\u00f8rsvik Musikklag<br \/>\r\nBergen Philharmonic Orchestra<br \/>\r\nEdward Gardner, direction<\/p>\r\n\r\n<p>Chandos CHAN 5219<\/p>\r\n\r\n<p>Enregistr\u00e9 en public lors du Festival international de Bergen,<br \/>\r\n\u00e0 Grieghallen, Bergen, du 21 au 24 mai 2018&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Grande Messe des morts<\/em> (Requiem)<br \/>\r\nLa Mort d&#8217;Orph\u00e9e<\/h5>\r\n\r\n<p>Ludovic Morlot, direction<br \/>\r\nKenneth Tarver, t\u00e9nor<br \/>\r\nSeattle Symphony Chorale<br \/>\r\nSeattle Pro Musica<br \/>\r\nSeattle Symphony<\/p>\r\n\r\n<p>Seattle Symphony Media SSM1019<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">Juillet 2018<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Symphonie fantastique<\/em><\/h5>\r\n\r\n<p>Richard WAGNER<br \/>\r\nTannh\u00e4user \u2013 Overture and Venusberg Music (1874 version)<\/p>\r\n\r\n<p>Hector BERLIOZ<br \/>\r\nSymphonie fantastique<\/p>\r\n\r\n<p>Sinfonieorchester Wuppertal<br \/>\r\nJulia Jones, direction<\/p>\r\n\r\n<p>1 CD&nbsp;\/ 1 SACD HD-KLASSIK 3D-801801<br \/>\r\nEnregistr\u00e9 en public \u00e0 Wuppertal, Historische Stadhalle, les 11 et 12 mars 2018<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">Juin 2018<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Harold en Italie<\/em><\/h5>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>La captive, Plaisir d&#8217;amour<br \/>\r\nWeber, Invitation \u00e0 la valse (orchestration Berlioz), Andante et rondo ungarese<\/em><\/h5>\r\n\r\n<p>Orchestre philharmonique de Bergen<br \/>\r\nAndrew Manze, direction<br \/>\r\nLawrence Power, alto<\/p>\r\n\r\n<p>1 CD Hyperion, enregistr\u00e9 en 2017<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">Mai 2018<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Benvenuto Cellini<\/em><\/h5>\r\n\r\n<p>Rotterdam Philharmonic Orchestra<br \/>\r\nSir Mark Elder, direction<br \/>\r\nDutch National Opera Chorus<br \/>\r\nChing-Lien Wu, chef de ch\u0153ur<\/p>\r\n\r\n<p>Mariangela Sicilia (Teresa)<br \/>\r\nMich\u00e8le Losier (Ascanio)<br \/>\r\nJohn Osborn (Cellini)<br \/>\r\nNicky Spence (Francesco)<br \/>\r\nLaurent Naouri (Fieramosca)<br \/>\r\nMaurizio Muraro (Balducci)<br \/>\r\nScott Conner (Bernardino)<br \/>\r\nOrlin Anastassov (le pape Cl\u00e9ment VII)<br \/>\r\nMarcel Beekman (un cabaretier)<br \/>\r\nAndr\u00e9 Morsch (Pompeo)<\/p>\r\n\r\n<p>Terry Gilliam, mise en sc\u00e8ne<br \/>\r\nLeah Hausman, mise en sc\u00e8ne et chor\u00e9graphie<br \/>\r\nTerry Gilliam, Aaron Marsden, d\u00e9cors<br \/>\r\nKatrina Lindsay, costumes<br \/>\r\nPaule Constable, \u00e9clairages<br \/>\r\nFinn Ross, vid\u00e9o<\/p>\r\n\r\n<p>2 DVD Video Naxos 2110575-76<br \/>\r\n1 DVD Blu-ray Naxos NBD0074V<\/p>\r\n\r\n<p>Enregistr\u00e9 en mai 2015 \u00e0 Amsterdam<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<hr class=\"wp-block-separator has-text-color has-cyan-bluish-gray-color has-alpha-channel-opacity has-cyan-bluish-gray-background-color has-background\"\/>\r\n\r\n\r\n<h3 class=\"wp-block-heading\">2017<\/h3>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">D\u00e9cembre 2017<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Grande Messe des morts (Requiem)<\/em><\/h5>\r\n\r\n<p>JoAnn Falletta, direction<br \/>\r\nVirginia Symphony Orchestra<br \/>\r\nVirginia Symphony Orchestra Chorus<br \/>\r\nRobert Shoup, chef de ch\u0153ur<br \/>\r\nThe Choral Arts Society of Washington<br \/>\r\nScott Tucker, directeur artistique<br \/>\r\nRobert McPherson, t\u00e9nor<\/p>\r\n\r\n<p>Hampton Roads Classics 888295651097<\/p>\r\n\r\n<p>Enregistr\u00e9 en concert \u00e0 Chrysler Hall, Norfolk, Virginie, le 20 mai 2017<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Mirages \u2013 Sabine Devieilhe<\/em><\/h5>\r\n\r\n<p>Sabine Devieilhe, soprano<br \/>\r\nJodie Devos, soprano<br \/>\r\nMarianne Crebassa, mezzo-soprano<br \/>\r\nAlexandre Tharaud, piano<br \/>\r\nLes Si\u00e8cles<br \/>\r\nFran\u00e7ois-Xavier Roth, direction<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\">Hector Berlioz (1803-1869) : La mort d&#8217;Oph\u00e9lie.<\/h5>\r\n\r\n<p>Andr\u00e9 Messager (1853-1929) : Le jour sous le soleil b\u00e9ni, extrait de Madame Chrysanth\u00e8me. Claude Debussy (1862-1918) : Mes longs cheveux descendent, extrait de Pell\u00e9as et M\u00e9lisande ; La romance d&#8217;Ariel. L\u00e9o Delibes (1836-1891) : O\u00f9 va la jeune Hindoue (Air des clochettes), Viens, Mallika\u2026 Sous le d\u00f4me \u00e9pais (Duo des fleurs) et Tu m&#8217;as donn\u00e9 le plus doux r\u00eave, extraits de Lakm\u00e9. Maurice Delage (1879-1961) : Quatre po\u00e8mes hindous. Igor Stravinsky (1882-1971) : Ah, joie, emplis mon c\u0153ur (Chanson du Rossignol), extrait du Rossignol. Ambroise Thomas (1811-1896) : \u00c0 vos jeux, mes amis, extrait d&#8217;Hamlet. Jules Massenet (1842-1912) : Celle qui vient est plus belle, extrait de Tha\u00efs. Charles Koechlin (1867-1950) : Le voyage op. 84, n\u00b0 2.<\/p>\r\n\r\n<p>1 CD Erato<\/p>\r\n\r\n<p>Enregistr\u00e9 \u00e0 la Philharmonie de Paris en f\u00e9vrier et mars 2017<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>A Tribute to Gilbert Duprez<\/em><\/h5>\r\n\r\n<p>John Osborn, t\u00e9nor<br \/>\r\nKaunas State Chorus<br \/>\r\nKaunas Symphony Orchestra<br \/>\r\nConstantine Orbelian, direction<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Berlioz, airs \u00ab La gloire \u00e9tait ma seule idole \u00bb et \u00ab Sur les monts les plus sauvages \u00bb extraits de Benvenuto Cellini<\/em><\/h5>\r\n\r\n<p>Verdi, \u00ab&nbsp; Je veux encore entendre ta voix \u00bb et \u00ab \u00d4 mes amis, mes fr\u00e8res d&#8217;arme \u00bb extraits de J\u00e9rusalem<br \/>\r\nDonizetti, airs \u00ab Ange si pur \u00bb extrait de la Favorite, \u00ab Oui j&#8217;irai dans leur temple \u00bb extrait des Martyrs, \u00ab Bient\u00f4t l&#8217;herbe des champs cro\u00eetra \u00bb extrait de Lucie di Lammermoor, air \u00ab seul sur la terre \u00bb extrait de Dom S\u00e9bastien<br \/>\r\nRossini, air \u00ab Asile h\u00e9r\u00e9ditaire \u00bb extrait de Guillaume Tell<\/p>\r\n\r\n<p>1 CD Delos<\/p>\r\n\r\n<p>Enregistr\u00e9 \u00e0 la Kaunas Philharmonie (Lituanie) en septembre 2016<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>La Damnation de Faust (r\u00e9\u00e9dition)<\/em><\/h5>\r\n\r\n<p>Guy Chauvet (Faust)<br \/>\r\nMichel Roux (M\u00e9phistoph\u00e9l\u00e8s)<br \/>\r\nPeter van der Bilt (Brander)<br \/>\r\nR\u00e9gine Crespin (Marguerite)<br \/>\r\nOrchestre et ch\u0153ur de la Radio hollandaise<br \/>\r\nJean Fournet, direction<\/p>\r\n\r\n<p>2 CD Malibran MR 820<\/p>\r\n\r\n<p>Enregistr\u00e9 \u00e0 Amsterdam le 23 mars 1963<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">Novembre 2017<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Ardente flamme<\/em><\/h5>\r\n\r\n<p>Ga\u00eblle Arquez , mezzo-soprano<br \/>\r\nGluck : extraits d&#8217;Iphig\u00e9nie en Aulide, et d&#8217;Armide<br \/>\r\nCherubini : extrait de M\u00e9d\u00e9e<br \/>\r\nLalo : extrait du Roi d&#8217;Ys<br \/>\r\nBizet : extrait de Carmen<br \/>\r\n<strong>Berlioz : extrait de La Damnation de Faust<\/strong><br \/>\r\nGounod : extrait de Sapho<br \/>\r\nThomas : extrait de Mignon<br \/>\r\nMassenet : extraits de Cl\u00e9op\u00e2tre et de Werther<br \/>\r\nWormser : extrait de Clytemnestre<br \/>\r\nOrchestre National Bordeaux-Aquitaine<br \/>\r\nPaul Daniel, direction<\/p>\r\n\r\n<p>1 CD Deutsche Grammophon 4816425<br \/>\r\nEnregistr\u00e9 en mai 2017 \u00e0 l&#8217;Auditorium de l&#8217;Op\u00e9ra de Bordeaux<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Schubert &#8211; Nacht und Tr\u00e4ume<\/em><\/h5>\r\n\r\n<p><strong>Lieder avec orchestre<\/strong><\/p>\r\n\r\n<p>Laurence Equilbey, direction<br \/>\r\nChoeur Accentus<br \/>\r\nInsula Orchestra<br \/>\r\nStanislas de Barbeyrac, t\u00e9nor<br \/>\r\nWiebke Lehmkuhl, mezzo-soprano<\/p>\r\n\r\n<p>Schwanengesang, Orch Mottl<br \/>\r\nAn Sylvia, Orch Krawczyk<br \/>\r\nDie Forelle, Orch Britten<br \/>\r\nGanymed, Orch Richard Strauss<br \/>\r\nIm Abendrot, Orch Reger<br \/>\r\nNacht Und Traume, Orch Krawczyk<br \/>\r\nDie Junge Nonne, Orch Liszt<br \/>\r\nGruppe Aus Dem Tartarus, Orch Brahms<br \/>\r\nRosamunde, Entr&#8217;acte N\u00b0 3, Der Vollmond strahlt auf Bergesh\u00f6hn, Orch Schubert<br \/>\r\nGondelfahrer, Orch Krawczyk<br \/>\r\nCoronach, Orch Krawczyk<br \/>\r\n<strong>Erlkonig, Orch Berlioz<\/strong><br \/>\r\nDas Grab, Orch Krawczyk<br \/>\r\nDu Bist Die Ruh, Orch Webern<\/p>\r\n\r\n<p>1 CD ERATO<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Les Troyens<\/em><\/h5>\r\n\r\n<p>Orchestre Philharmonique de Strasbourg<br \/>\r\nJohn Nelson, direction<br \/>\r\nJoyce Di Donato (Didon)<br \/>\r\nMichael Spyres (\u00c9n\u00e9e)<br \/>\r\nSt\u00e9phane Degout (Chor\u00e8be)<br \/>\r\nMarie-Nicole Lemieux (Cassandre)<br \/>\r\nMarianne Crebassa (Ascagne)<br \/>\r\nHannah Hipp (Anna)<br \/>\r\nPhilippe Sly (Narbal)<br \/>\r\nBadische Staatsopernchor (chef de ch\u0153ur Ulrich Wagner)<br \/>\r\nCh\u0153ur de l&#8217;Op\u00e9ra national du Rhin (chef de ch\u0153ur Sandrine Abello)<br \/>\r\nCh\u0153ur de l&#8217;OPS (chef de ch\u0153ur Catherine Bolzinger)<\/p>\r\n\r\n<p>Enregistr\u00e9 \u00e0 Strasbourg en avril 2017<br \/>\r\n4 CD + 1 DVD ERATO 0190295762209 LC 02822<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">Octobre 2017<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>R\u00e9gine Crespin 1927 \u2013 2007 A Tribute<\/em><\/h5>\r\n\r\n<p><strong><em>La Damnation de Faust&nbsp;:<\/em><\/strong> \u00ab&nbsp; D&#8217;amour, l&#8217;ardente flamme \u00bb<br \/>\r\n<strong><em>Les Nuits d&#8217;\u00e9t\u00e9<\/em><\/strong><br \/>\r\n<strong><em>Les Troyens :<\/em><\/strong> \u00ab Les Grecs ont disparu&#8230; Malheureux roi ! \u00bb, \u00ab Nous avons vu finir&#8230; Chers Tyriens \u00bb, \u00ab Je vais mourir&#8230; Adieu, fi\u00e8re cit\u00e9 \u00bb<\/p>\r\n\r\n<p>Divers compositeurs<\/p>\r\n\r\n<p>10 CD Erato 9029588671<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">Septembre 2017<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Jivaro&#8217;s Works (Transcriptions)<\/em><\/h5>\r\n\r\n<p><strong>Hector Berlioz : Romance de Marguerite : D&#8217;amour l&#8217;ardente flamme (Damnation de Faust)<\/strong> ; Robert Schumann : L&#8217;oiseau proph\u00e8te ; Edvard Grieg : Peer Gynt (extaits) ; Claude Debussy : Noctunes n\u00b0 2 (F\u00eates) ; Igor Stravinsky : L&#8217;oiseau de feu ; Erik Satie : Gymnop\u00e9die n\u00b0 1<\/p>\r\n\r\n<p>Ensemble Zellig : Anne-C\u00e9cile Cuniot, fl\u00fbtes ; Etienne Lamaison, clarinettes ; Silvia Lenzi, violoncelle et viole de gambe ; Ivan Morane : voix parl\u00e9e <strong>(Berlioz)<\/strong> ; Iris Torossian, harpe ; G\u00e9raldine Dutroncy, piano ; Elisa Humanes, percussions.<\/p>\r\n\r\n<p>1 CD Klarthe Records K041<br \/>\r\nEnregistr\u00e9 \u00e0 l&#8217;Auditorium Antonin Artaud d&#8217;Ivry-sur-Seine (Val de Marne) du 1er au 4 septembre 2015<br \/>\r\nNotice : fran\u00e7ais et anglais. Dur\u00e9e : 75&#8217;18<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Jonas Kaufmann : L&#8217;Op\u00e9ra<\/em><\/h5>\r\n\r\n<p>Berlioz, La Damnation de Faust , \u00ab Merci, doux cr\u00e9puscule! \u00bb, Les Troyens , \u00ab Inutiles regrets! Je dois quitter Carthage! \u00bb<br \/>\r\nGounod, Rom\u00e9o et Juliette , \u00ab Ah! l\u00e8ve-toi, soleil! \u00bb<br \/>\r\nMassenet, Werther , \u00ab Pourquoi me r\u00e9veiller, \u00f4 souffle du printemps? \u00bb, Mignon&nbsp; : \u00ab Elle ne croyait pas, dans sa candeur na\u00efve \u00bb<br \/>\r\nBizet, Carmen&nbsp; : \u00ab La fleur que tu m&#8217;avais jet\u00e9e \u00bb, Les P\u00eacheurs de perles&nbsp; : \u00ab Au fond du temple saint \u00bb<br \/>\r\nLalo, Le Roi d&#8217;Ys&nbsp; : \u00ab Vainement, ma bien-aim\u00e9e \u00bb<br \/>\r\nOffenbach, Les Contes d&#8217;Hoffmann&nbsp; : \u00ab \u00d4 Dieu, de quelle ivresse \u00bb<br \/>\r\nMeyerbeer, L&#8217;Africaine&nbsp; : \u00ab \u00d4 paradis \u00bb<br \/>\r\nMassenet, Manon&nbsp; : \u00ab En fermant les yeux, je vois l\u00e0-bas \u00bb, \u00ab N&#8217;est-ce plus ma main que cette main presse \u00bb, Le Cid&nbsp; : \u00ab \u00d4 souverain, \u00f4 juge, \u00f4 p\u00e8re \u00bb<br \/>\r\nHal\u00e9vy, La Juive&nbsp; : \u00ab Rachel, quand du Seigneur \u00bb<\/p>\r\n\r\n<p>Jonas Kaufmann<br \/>\r\nBertrand de Billy, direction<br \/>\r\nBayerische Staatsoper<\/p>\r\n\r\n<p>L&#8217;op\u00e9ra romantique fran\u00e7ais<br \/>\r\nSony Classical : CD 88985390832 , Vinyl, Edition de luxe<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">Juin 2017<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>B\u00e9atrice et B\u00e9n\u00e9dict<\/em><\/h5>\r\n\r\n<p>London Philharmonic Orchestra<br \/>\r\nAntonello Manacorda , direction<br \/>\r\nThe Glyndebourne Chorus<\/p>\r\n\r\n<p>St\u00e9phanie d&#8217;Oustrac (B\u00e9atrice)<br \/>\r\nSophie Karth\u00e4user (H\u00e9ro)<br \/>\r\nKatarina Bradi c (Ursule)<br \/>\r\nPaul Appleby (B\u00e9n\u00e9dict)<br \/>\r\nPhilippe Sly (Claudio)<br \/>\r\nFr\u00e9d\u00e9ric Caton (Don Pedro)<br \/>\r\nLionel Lhote (Somarone)<br \/>\r\nLaurent Pelly, mise en sc\u00e8ne<\/p>\r\n\r\n<p>1 DVD Opus Arte OA1239D<br \/>\r\n1 Blu Ray Disc OABD7219D<br \/>\r\nEnregistr\u00e9 au Festival de Glyndebourne 2016<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">Mai 2017<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Transcriptions d&#8217;\u0153uvres de Berlioz (Liszt)&nbsp;<\/em><\/h5>\r\n\r\n<p>Franz LISZT, Complete Piano Music, Vol. 46<br \/>\r\nBerlioz Transcriptions<\/p>\r\n\r\n<p>Danse des Sylphes de La damnation de Faust<br \/>\r\nB\u00e9n\u00e9diction et Serment \u2013 Deux motifs de Benvenuto Cellini<br \/>\r\nOuverture du Roi Lear<br \/>\r\nL&#8217;id\u00e9e fixe \u2013 Andante amoroso d&#8217;apr\u00e8s une m\u00e9lodie de Hector Berlioz<br \/>\r\nMarche au supplice de la Symphonie fantastique<br \/>\r\nI. Introduction : L&#8217;id\u00e9e fixe<br \/>\r\nII. Marche au supplice (final version)<br \/>\r\nMarche des p\u00e8lerins de la symphonie Harold en Italie (second version)<br \/>\r\nOuverture des Francs-Juges<\/p>\r\n\r\n<p>Feng Bian, piano<\/p>\r\n\r\n<p>1 CD NAXOS 8.573710<br \/>\r\nEnregistr\u00e9 du 21 au 25 septembre 2015<br \/>\r\nMorse Recital Hall, Yale School of Music, New Haven, Connecticut, USA<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">Avril 2017<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Georges Thill<\/em><\/h5>\r\n\r\n<p>Airs d&#8217;op\u00e9ras de Berlioz, Bizet, Delibes, Gluck, Gounod, Hal\u00e9vy, Reyer, Messager, Cherubini, Rossini, Massenet, Meyerbeer, M\u00e9hul et saint-Sa\u00ebns<\/p>\r\n\r\n<p>Germaine Cernay, Raymonde Visconti (mezzo), divers orchestres, Eug\u00e8ne Bigot, Elie Cohen, Philippe Gaubert.<\/p>\r\n\r\n<p>MVD \u2013 2 CD s\u00e9par\u00e9s<\/p>\r\n\r\n<p>Enregistrements de 1927 \u00e0 1937<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">F\u00e9vrier 2017<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Bernard T\u00e9tu dirige<\/em><\/h5>\r\n\r\n<p>Berlioz, La Mort d&#8217;Oph\u00e9lie , \u0152uvres pour ch\u0153ur<br \/>\r\nNo\u00ebl Lee, piano<\/p>\r\n\r\n<p>Brahms, Zigeunerlieder , Liebesliederwalzer<br \/>\r\nGeorges Pludermacher et Henri Barda, piano<\/p>\r\n\r\n<p>Faur\u00e9, La Naissance de V\u00e9nus , Cantique de Jean Racine<br \/>\r\nJean-Claude Pennetier, piano<\/p>\r\n\r\n<p>Spirito-Ch\u0153urs et Solistes de Lyon<br \/>\r\nBernard T\u00e9tu, direction<\/p>\r\n\r\n<p>3 CD Timpani 3C3245<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">Janvier 2017<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Te Deum<\/em><\/h5>\r\n\r\n<p>Claudio Abbado, direction : Voir r\u00e9\u00e9ditions<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<hr class=\"wp-block-separator has-text-color has-cyan-bluish-gray-color has-alpha-channel-opacity has-cyan-bluish-gray-background-color has-background\"\/>\r\n\r\n\r\n<h3 class=\"wp-block-heading\">2016<\/h3>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">D\u00e9cembre 2016<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Symphonie fantastique<\/em><\/h5>\r\n\r\n<p>La Chambre Philharmonique<br \/>\r\nEmmanuel Krivine<\/p>\r\n\r\n<p>1 DVD Alpha 714<br \/>\r\nEnregistr\u00e9 en concert \u00e0 la Cit\u00e9 de la Musique, Paris, en mai 2014<\/p>\r\n\r\n<p>En compl\u00e9ment, 4 bonus : Emmanuel Krivine dialogue avec quelques musiciens autour de leur travail en commun et de l&#8217;interpr\u00e9tation sur instruments d&#8217;\u00e9poque, 3 solistes (violoniste, bassoniste et timbali\u00e8re), pr\u00e9sentent les sp\u00e9cificit\u00e9s de ces instruments et le DVD offre la possibilit\u00e9 de regarder l&#8217;int\u00e9grale de la symphonie avec les commentaires d&#8217;Emmanuel Krivine.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Shakespeare Songs<\/em><\/h5>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>La Mort d&#8217;Oph\u00e9lie<\/em><\/h5>\r\n\r\n<p>Isabelle Druet, soprano<br \/>\r\nAnne Le Bozec, piano<\/p>\r\n\r\n<p>Avec : Brahms, Saint-Sa\u00ebns, Castelnuovo-Tedesco, Rossini, Schubert, Schumann, Wolf, Sibelius, Chausson, Gurney, Korngold, Poulenc<\/p>\r\n\r\n<p>Airs d&#8217;apr\u00e8s des textes de Shakespeare, pour les 400 ans de sa mort<\/p>\r\n\r\n<p>1 CD NoMadMusic<br \/>\r\nEnregistr\u00e9 en 2016<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">Novembre 2016<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Symphonie fantastique<\/em><\/h5>\r\n\r\n<p>(libre adaptation pour orchestre de chambre par Arthur Lavandier)<\/p>\r\n\r\n<p>Pour fl\u00fbte, hautbois, clarinette, basson, cor, trompette, trombone, tuba<br \/>\r\n(cor des Alpes), synth\u00e9, piano, guitare \u00e9lectrique, deux percussionnistes, deux violons, deux altos, violoncelle, contrebasse et une fanfare<br \/>\r\nLe balcon<br \/>\r\nMaxime Pascal, direction<\/p>\r\n\r\n<p>1 CD Alpha<br \/>\r\nEnregistr\u00e9 au Conservatoire national sup\u00e9rieur d&#8217;art dramatique, Paris, 5-9 juillet 2016<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">Septembre 2016<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Symphonie fantastique<\/em><\/h5>\r\n\r\n<p>Royal Concertgebouw Orchestra<br \/>\r\nDaniele Gatti, direction<\/p>\r\n\r\n<p>1 SACD RCO Live RCO16006<br \/>\r\nEnregistr\u00e9 en public, Concertgebouw, Amsterdam, les 31 mars, 1er et 3 avril 2016<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Rom\u00e9o et Juliette<\/em><\/h5>\r\n\r\n<p>Robin Ticciati, direction<br \/>\r\nSwedish Radio Symphony Orchestra<br \/>\r\nSwedish Radio Choir<br \/>\r\nKatija Dragojevic, mezzo-soprano<\/p>\r\n\r\n<p>Andrew Staples, t\u00e9nor<br \/>\r\nAlastair Miles, basse<br \/>\r\n2 CD Linn CKD 521<\/p>\r\n\r\n<p>Enregistr\u00e9 en public, Berwaldhallen, Stockholm, 3-8 novembre 2014<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Rom\u00e9o et Juliette. <\/em>Marche troyenne. Chasse royale et Orage.<\/h5>\r\n\r\n<p>Mich\u00e8le Losier, mezzo-soprano<br \/>\r\nSamuel Boden, t\u00e9nor<br \/>\r\nDavid Soar, basse<br \/>\r\nBBC Symphony Chorus<br \/>\r\nBBC Symphony Orchestra<br \/>\r\nSir Andrew Davis<\/p>\r\n\r\n<p>2 CD Chandos CHSA5169(2)<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">Ao\u00fbt 2016<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Symphonie fantastique<\/em><\/h5>\r\n\r\n<p>Rameau : Hippolyte et Aricie , Suite d&#8217;orchestre<\/p>\r\n\r\n<p>Swedish Radio Symphony Orchestra<br \/>\r\nDaniel Harding<\/p>\r\n\r\n<p>1 CD Harmonia Mundi HMC 902244<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">Juin 2016<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Rom\u00e9o et Juliette<\/em><\/h5>\r\n\r\n<p>Olga Borodina<br \/>\r\nKenneth Tarver<br \/>\r\nEvgeny Nikitin<br \/>\r\nGuildhall School Singers<br \/>\r\nS. Halsey , chef de ch\u0153ur<br \/>\r\nLondon Symphony Chorus<br \/>\r\nLondon Symphony Orchestra<br \/>\r\nValery Gergiev, direction<\/p>\r\n\r\n<p>2 SACD LSO Live LSO0762<br \/>\r\nEnregistr\u00e9 en 2013&nbsp;<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Liszt et son temps\/Oeuvres sacr\u00e9es du romantisme<\/em><\/h5>\r\n\r\n<p><strong>Hector Berlioz, Peter Cornelius, Franz Liszt<\/strong><\/p>\r\n\r\n<p>Richard Resch, t\u00e9nor&nbsp; ; Michael Mogl, t\u00e9nor&nbsp; ; Martin Vogerl, basse&nbsp; ; Joachim Hochbauer, basse<br \/>\r\nChristoph Kr\u00fcckl, orgue<br \/>\r\nRenner Ensemble Regensburg<br \/>\r\nHans Pritschet , direction<\/p>\r\n\r\n<p>SACD ARS PRODUKTION \u2013 Juin 2016<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">Avril 2016<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Live au Th\u00e9\u00e2tre antique d&#8217;Orange<\/em><\/h5>\r\n\r\n<p><strong>Hector Berlioz<\/strong>, Le Carnaval romain, op. 9 \u2013 Ouverture<br \/>\r\n<strong>Francis Poulenc<\/strong>, Concerto pour deux pianos et orchestre, en r\u00e9 mineur, FP 61<br \/>\r\n<strong>Camille Saint-Sa\u00ebns<\/strong>, Symphonie n\u00b03 en ut mineur, op. 78, avec orgue<br \/>\r\nBis :<br \/>\r\n<strong>Sergue\u00ef Rachmaninov<\/strong>, Romance \u00e0 six mains en la majeur<br \/>\r\n<strong>Georges Bizet<\/strong>, Carmen \u2013 Ouverture<\/p>\r\n\r\n<p>Orchestre Philharmonique de Radio France<br \/>\r\nMyun-Whun Chung, direction<br \/>\r\nMartha Argerich, piano<br \/>\r\nNicholas Angelich , piano<br \/>\r\nChristophe Henry, orgue<\/p>\r\n\r\n<p>DVD Bel Air Classiques BAC132<br \/>\r\nEnregistr\u00e9 \u00e0 Orange en 2015<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h4 class=\"wp-block-heading\">Janvier 2016<\/h4>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Symphonie fantastique<\/em><\/h5>\r\n\r\n<p>Berliner Philharmoniker<br \/>\r\nClaudio Abbado direction<br \/>\r\nDeborah York soprano<br \/>\r\nStella Doufexis mezzo-soprano<br \/>\r\nDamen des Chors des Bayerischen Rundfunks<\/p>\r\n\r\n<p><strong>Felix Mendelssohn<\/strong> :&nbsp; A Midsummer Night&#8217;s Dream<\/p>\r\n\r\n<p>Enregistr\u00e9 \u00e0 la Philharmonie de Berlin en mai 2013<br \/>\r\n2 CD Berliner Philharmoniker + 1 Blu-ray&nbsp;<\/p>\r\n\r\n<p>Vid\u00e9o du concert : Enregistrement int\u00e9gral, Bonus<br \/>\r\n\u00b7 Documentaire : \u201cAbbado in Berlin \u2013 The First Year\u201d<br \/>\r\n\u00b7 Members of the Berliner Philharmoniker remember Claudio Abbado<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<hr class=\"wp-block-separator has-text-color has-cyan-bluish-gray-color has-alpha-channel-opacity has-cyan-bluish-gray-background-color has-background\"\/>\r\n\r\n\r\n<h3 class=\"wp-block-heading\">2015<\/h3>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Les Troyens (Beecham). A nouveau disponible (2015)<\/em><\/h5>\r\n\r\n<p>\u00c9n\u00e9e &#8211; Jean Giraudeau<\/p>\r\n\r\n<p>Chor\u00e8be &#8211; Charles Cambon<\/p>\r\n\r\n<p>Panth\u00e9e &#8211; Charles Paul<\/p>\r\n\r\n<p>Narbal &#8211; Charles Cambon<\/p>\r\n\r\n<p>I\u00f6pas &#8211; Franz Vroons<\/p>\r\n\r\n<p>Ascagne &#8211; Ir\u00e8ne Joachim, Maria Braneze<\/p>\r\n\r\n<p>Cassandre &#8211; Marisa Ferrer<\/p>\r\n\r\n<p>Didon &#8211; Marisa Ferrer<\/p>\r\n\r\n<p>Anna &#8211; Yvonne Corke<\/p>\r\n\r\n<p>Hylas &#8211; Colin Cunningham<\/p>\r\n\r\n<p>Priam &#8211; Scott Joyant<\/p>\r\n\r\n<p>un Chef grec &#8211; Dennis Dowling<\/p>\r\n\r\n<p>l&#8217;Ombre d&#8217;Hector &#8211; Ernest Frank<\/p>\r\n\r\n<p>Helenus &#8211; Colin Cunningham<\/p>\r\n\r\n<p>deux Soldats &#8211; Ernest Frank, Scott Joyant<\/p>\r\n\r\n<p>le Dieu Mercure &#8211; Stearn Scott<\/p>\r\n\r\n<p>H\u00e9cube &#8211; Yvonne Corke<\/p>\r\n\r\n<p>BBC Theatre Chorus<\/p>\r\n\r\n<p>Royal Philharmonic Orchestra<\/p>\r\n\r\n<p>Sir Thomas Beecham, direction<\/p>\r\n\r\n<p>Enregistr\u00e9 \u00e0 Londres, BBC Maida Vale Studios, les 3 et 6 juin, 2 et 4 juillet 1947<\/p>\r\n\r\n<p>3 CD Malibran CDRG 162 [79:40 + 75:30 + 73:54]<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Amours v\u00e9cues (La Mort d&#8217;Oph\u00e9lie)<\/em><\/h5>\r\n\r\n<p>Hector Berlioz, La Mort d&#8217;Oph\u00e9lie<\/p>\r\n\r\n<p>Gabriel Faur\u00e9, La Bonne Chanson<\/p>\r\n\r\n<p>Jules Massenet, Heure v\u00e9cue, Po\u00e8me d&#8217;octobre<\/p>\r\n\r\n<p>Ernest Chausson, Nanny, La derni\u00e8re feuille, H\u00e9b\u00e9<\/p>\r\n\r\n<p>Claude Debussy, Trois Chansons de Bilitis<\/p>\r\n\r\n<p>Kimy McLaren, soprano<\/p>\r\n\r\n<p>Michael McMahon, piano<\/p>\r\n\r\n<p>1 CD NoMadMusic NMM 025<\/p>\r\n\r\n<p>Enregistr\u00e9 \u00e0 l&#8217;Abbaye de Port-Royal des Champs en 2014<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Symphonie fantastique &#8211; L\u00e9lio<\/em><\/h5>\r\n\r\n<p>Chicago Symphony Chorus<\/p>\r\n\r\n<p>Chicago Symphony Orchestra<\/p>\r\n\r\n<p>Riccardo Muti, direction<\/p>\r\n\r\n<p>G\u00e9rard Depardieu, r\u00e9citant<\/p>\r\n\r\n<p>Mario Zeffiri, t\u00e9nor<\/p>\r\n\r\n<p>Kyle Ketelsen, baryton-basse<\/p>\r\n\r\n<p>2 CD &#8211; CSO Resound CSOR9011501<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Les Nuits d&#8217;\u00e9t\u00e9<\/em><\/h5>\r\n\r\n<p>Soile Isokoski, soprano<\/p>\r\n\r\n<p>Helsinki Philharmonic Orchestra<\/p>\r\n\r\n<p>John Storg\u00e5rds, direction&nbsp;<\/p>\r\n\r\n<p>Avec :<\/p>\r\n\r\n<p>Chausson, Po\u00e8me de l&#8217;amour et de la mer<\/p>\r\n\r\n<p>Duparc, Le Manoir de Rosemonde , L&#8217;Invitation au voyage , Chanson triste<\/p>\r\n\r\n<p>1 CD Ondine ODE 1261-2<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Symphonie fantastique (R\u00e9\u00e9dition)<\/em><\/h5>\r\n\r\n<p>Avec :<\/p>\r\n\r\n<p>Debussy, Ravel, Poulenc<\/p>\r\n\r\n<p>Anima Eterna Brugge<\/p>\r\n\r\n<p>Jos van Immerseel, direction<\/p>\r\n\r\n<p>5 CD Alpha ALPHA225<\/p>\r\n\r\n<p>Enregistr\u00e9 en 2010 ( Symphonie fantastique )<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Of Madness and Love<\/em><\/h5>\r\n\r\n<p>Oeuvres de Berlioz, inspir\u00e9es par William Shakespeare<\/p>\r\n\r\n<p>Cl\u00e9op\u00e2tre , Grande Ouverture du Roi Lear , R\u00eaverie et Caprice , Sc\u00e8ne d&#8217;amour ( Rom\u00e9o et Juliette )<\/p>\r\n\r\n<p>Sinfonieorchester Basel<\/p>\r\n\r\n<p>Ivor Bolton, direction<\/p>\r\n\r\n<p>Vesselina Kasarova, mezzo-soprano<\/p>\r\n\r\n<p>Soyoung Yoon, violon<\/p>\r\n\r\n<p>1 CD Solo Musica SOB 08<\/p>\r\n\r\n<p>Harold en Italie, Intrata di Bob-Roy MacGregor, R\u00eaverie et Caprice<\/p>\r\n\r\n<p>James Ehnes, violon, alto<\/p>\r\n\r\n<p>Melbourne Symphony Orchestra<\/p>\r\n\r\n<p>Sir Andrew Davis, direction<\/p>\r\n\r\n<p>1 SACD CHANDOS CHSA 5155<\/p>\r\n\r\n<p>Enregistr\u00e9 en 2014<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Les Nuits d&#8217;\u00e9t\u00e9<\/em><\/h5>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Sc\u00e8ne d&#8217;amour de Rom\u00e9o et Juliette<\/em><\/h5>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>La Mort de Cl\u00e9op\u00e2tre&nbsp;<\/em><\/h5>\r\n\r\n<p>Karen Cargill, mezzo-soprano<\/p>\r\n\r\n<p>Scottish Chamber Orchestra<\/p>\r\n\r\n<p>Robin Ticciati direction&nbsp;<\/p>\r\n\r\n<p>Enregistr\u00e9 \u00e0 Edimbourg, avril 2012<\/p>\r\n\r\n<p>CD LINN RECORDS CKD 421<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Les Troyens<\/em><\/h5>\r\n\r\n<p>Georges Sebastian, direction<\/p>\r\n\r\n<p>R\u00e9gine Crespin (Cassandre\/Didon)<\/p>\r\n\r\n<p>No\u00e9mie Souza (Anna)<\/p>\r\n\r\n<p>Africa de Retes (Ascagne)<\/p>\r\n\r\n<p>Guy Chauvet (En\u00e9e)<\/p>\r\n\r\n<p>Victor de Narke (Narbal)<\/p>\r\n\r\n<p>Nino Falzetti (Hylas)<\/p>\r\n\r\n<p>Per Drewsen (Iopas)<\/p>\r\n\r\n<p>Walter Maddalena (Panth\u00e9e)<\/p>\r\n\r\n<p>Guerrino Boschetti (Mercure)<\/p>\r\n\r\n<p>Enregistr\u00e9 \u00e0 Buenos-Aires le 26 mai 1964<\/p>\r\n\r\n<p>2 CD Malibran MR769<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<hr class=\"wp-block-separator has-text-color has-cyan-bluish-gray-color has-alpha-channel-opacity has-cyan-bluish-gray-background-color has-background\"\/>\r\n\r\n\r\n<h3 class=\"wp-block-heading\">2014<\/h3>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Harold en Italie<\/em><\/h5>\r\n\r\n<p>Cl\u00e9op\u00e2tre<\/p>\r\n\r\n<p>London Symphony Orchestra<\/p>\r\n\r\n<p>Valery Gergiev, direction<\/p>\r\n\r\n<p>Antoine Tamestit, alto<\/p>\r\n\r\n<p>Karen Cargill, mezzo-soprano&nbsp;<\/p>\r\n\r\n<p>1 SACD LSO Live LSO0760&nbsp;<\/p>\r\n\r\n<p>Enregistr\u00e9 en public au Barbican Hall, Londres, les 1er et 12 novembre 2013<\/p>\r\n\r\n<p>Symphonie fantastique<\/p>\r\n\r\n<p>Philharmonia Z\u00fcrich<\/p>\r\n\r\n<p>Fabio Luisi, direction<\/p>\r\n\r\n<p>1 CD Accentus Music PHR0101<\/p>\r\n\r\n<p>Enregistr\u00e9 \u00e0 l&#8217; Op\u00e9ra de Zurich en septembre 2013<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Symphonie fantastique<\/em><\/h5>\r\n\r\n<p>Grande Ouverture de Waverley&nbsp;<\/p>\r\n\r\n<p>London Symphony Orchestra<\/p>\r\n\r\n<p>Valery Gergiev, direction&nbsp;<\/p>\r\n\r\n<p>1 SACD LSO Live LSO0757 + 1 Blu-ray audio&nbsp;<\/p>\r\n\r\n<p>Enregistr\u00e9 en public au Barbican, Londres, les 31 octobre et 14 novembre 2013<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Harold en Italie<\/em> (Liszt)<\/h5>\r\n\r\n<p>Jennifer Stumm, alto<\/p>\r\n\r\n<p>Elizabeth Pridgen, piano<\/p>\r\n\r\n<p>Avec : Liszt : Nuages Gris, Romance Oubli\u00e9e, Oh! Quand je dors, Schlaflos ! Frage und Antwort&nbsp;<\/p>\r\n\r\n<p>1 CD Orchid Classics ORC 100044<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Harold en Italie<\/em><\/h5>\r\n\r\n<p>R\u00eaverie et Caprice<\/p>\r\n\r\n<p>Le Carnaval romain<\/p>\r\n\r\n<p>Grande Ouverture de Benvenuto Cellini<\/p>\r\n\r\n<p>Lise Berthaud, alto<\/p>\r\n\r\n<p>Giovanni Radivo, violon<\/p>\r\n\r\n<p>Orchestre national de Lyon<\/p>\r\n\r\n<p>Leonard Slatkin, direction<\/p>\r\n\r\n<p>1 CD Naxos 8.573297 8<\/p>\r\n\r\n<p>Enregistr\u00e9 en public \u00e0 l&#8217;Auditorium de Lyon, les 24 et 26 octobre 2013<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Symphonie fantastique<\/em><\/h5>\r\n\r\n<p>The Israel Philharmonic Orchestra<\/p>\r\n\r\n<p>Gianandrea Noseda, direction<\/p>\r\n\r\n<p>Avec : Borodine : Le Prince Igor, ouverture<\/p>\r\n\r\n<p>1 CD Helicon Classics<\/p>\r\n\r\n<p>Symphonie fantastique (r\u00e9\u00e9dition)<\/p>\r\n\r\n<p>Orchestre Symphonique du S\u00fcdwestfunk de Baden-Baden<\/p>\r\n\r\n<p>John Barbirolli, direction<\/p>\r\n\r\n<p>Avec : Haydn, Symphonie N\u00b0 83, &#8220;La Poule&#8221;<\/p>\r\n\r\n<p>1CD ICA 5105, enregistrement de 1969<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Symphonie fantastique (interpr\u00e9tation \u00e0 l&#8217;orgue)<\/em><\/h5>\r\n\r\n<p>Yves Rechsteiner<\/p>\r\n\r\n<p>Orgue de l&#8217;Eglise de la Dalbade de Toulouse<\/p>\r\n\r\n<p>1CD GALLO CD-1416, enregistrement de 2013<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Symphonie fantastique<\/em><\/h5>\r\n\r\n<p>Symphonieorchester des Bayerischen Rundfunks<\/p>\r\n\r\n<p>Mariss Jansons, direction<\/p>\r\n\r\n<p>(Enregistr\u00e9 en public, Munich, Philharmonie im Gasteig, 7-8 III 2013 et 2010)<\/p>\r\n\r\n<p>Avec : Edgar Var\u00e8se, Ionisation ; Tcha\u00efkovski, Symphonie N\u00b0 6<\/p>\r\n\r\n<p>2 CD BR-KLASSIK 900121 et 900123<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<hr class=\"wp-block-separator has-text-color has-cyan-bluish-gray-color has-alpha-channel-opacity has-cyan-bluish-gray-background-color has-background\"\/>\r\n\r\n\r\n<h3 class=\"wp-block-heading\">2013<\/h3>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>B\u00e9atrice et B\u00e9n\u00e9dict (r\u00e9\u00e9dition)<\/em><\/h5>\r\n\r\n<p>Susan Graham (B\u00e9atrice)<\/p>\r\n\r\n<p>Sylvia McNair (H\u00e9ro)<\/p>\r\n\r\n<p>Catherine Robbin (Ursule)<\/p>\r\n\r\n<p>Jean-Luc Viala (B\u00e9n\u00e9dict)<\/p>\r\n\r\n<p>Gilles Cachemaille (Claudio)<\/p>\r\n\r\n<p>Vincent Le Texier (Don Pedro)<\/p>\r\n\r\n<p>Gabriel Bacquier (Somarone)<\/p>\r\n\r\n<p>Philippe Magnant (L\u00e9onato)<\/p>\r\n\r\n<p>Ch\u0153ur de l&#8217;Op\u00e9ra de Lyon<\/p>\r\n\r\n<p>Orchestre de l&#8217;Op\u00e9ra de Lyon<\/p>\r\n\r\n<p>John Nelson, direction<\/p>\r\n\r\n<p>2 CD Erato 256 4674974<\/p>\r\n\r\n<p>Enregistr\u00e9 \u00e0 l&#8217;auditorium Maurice-Ravel, Lyon, en mars 1991<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>L&#8217;enfance du Christ<\/em><\/h5>\r\n\r\n<p>Robin Ticciati, direction<\/p>\r\n\r\n<p>Yann Beuron (R\u00e9citant)<\/p>\r\n\r\n<p>V\u00e9ronique Gens (Sainte Marie)<\/p>\r\n\r\n<p>Stephan Loges (Saint Joseph)<\/p>\r\n\r\n<p>Alastair Miles ( H\u00e9rode, P\u00e8re de famille)&nbsp;<\/p>\r\n\r\n<p>Swedish Radio Symphony Orchestra and Chorus&nbsp;<\/p>\r\n\r\n<p>Enregistr\u00e9 \u00e0 Berwaldhallen, Stockholm, en d\u00e9cembre 2012<\/p>\r\n\r\n<p>Linn Records CKD 440<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Les Troyens<\/em><\/h5>\r\n\r\n<p>Bryan Hymel (\u00c9n\u00e9e)<\/p>\r\n\r\n<p>Fabio Capitanucci (Chor\u00e8be)<\/p>\r\n\r\n<p>Ashley Holland (Panth\u00e9e)<\/p>\r\n\r\n<p>Brindley Sherratt (Narbal)<\/p>\r\n\r\n<p>Ji-Min Park (I\u00f6pas)<\/p>\r\n\r\n<p>Barbara Senator (Ascagne)<\/p>\r\n\r\n<p>Anna Caterina Antonacci (Cassandre)<\/p>\r\n\r\n<p>Eva-Maria Westbroek (Didon)<\/p>\r\n\r\n<p>Hanna Hipp (Anna)<\/p>\r\n\r\n<p>Ed Lyon (Hylas)<\/p>\r\n\r\n<p>Robert Lloyd (Priam)<\/p>\r\n\r\n<p>Lucas Jaconi (un chef grec)<\/p>\r\n\r\n<p>Ji Hyun Kim (l&#8217;ombre d&#8217;Hector, Helenus)<\/p>\r\n\r\n<p>Adrian Clarke, Jeremy White (deux soldats)<\/p>\r\n\r\n<p>Daniel Grice (le dieu Mercure)<\/p>\r\n\r\n<p>Jenna Sloan (Polyx\u00e8ne)<\/p>\r\n\r\n<p>Pamela Helen Stephen (H\u00e9cube)<\/p>\r\n\r\n<p>Sophia McGregor (Andromaque)<\/p>\r\n\r\n<p>Royal Opera House Orchestra and Chorus<\/p>\r\n\r\n<p>Sir Antonio Pappano direction<\/p>\r\n\r\n<p>Sir David McVicar mise en sc\u00e8ne<\/p>\r\n\r\n<p>2 DVD Opus Arte OA 1097 D<\/p>\r\n\r\n<p>Enregistr\u00e9 en public au Royal Opera House, Londres, en juin 2012<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Symphonie fantastique<\/em><\/h5>\r\n\r\n<p>Andr\u00e9s Orozco-Estrada, direction&nbsp;<\/p>\r\n\r\n<p>Tonk\u00fcnstler-Orchester Nieder\u00f6sterreich<\/p>\r\n\r\n<p>CD Oehms Classics OC 869&nbsp;<\/p>\r\n\r\n<p>Enregistr\u00e9 en public, en 2012<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Harold en Italie <\/em>(Liszt)<\/h5>\r\n\r\n<p>Philip Dukes, alto<\/p>\r\n\r\n<p>Piers Lane, piano<\/p>\r\n\r\n<p>Avec : Liszt, Romance oubli\u00e9e . Roger, Viola Sonata ( Irish Sonata )<\/p>\r\n\r\n<p>CD Naxos 8.573011<\/p>\r\n\r\n<p>Enregistr\u00e9 \u00e0 Wyaston Concert Hall, Monmouth, du 3 au 5 mai 2012<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Berlioz, Ouvertures<\/em><\/h5>\r\n\r\n<p>Ouverture du Corsaire<\/p>\r\n\r\n<p>B\u00e9atrice et B\u00e9n\u00e9dict, ouverture<\/p>\r\n\r\n<p>Grande Ouverture des Francs-Juges<\/p>\r\n\r\n<p>Le Carnaval romain<\/p>\r\n\r\n<p>Grande Ouverture de Waverley<\/p>\r\n\r\n<p>Grande Ouverture du Roi Lear<\/p>\r\n\r\n<p>Grande Ouverture de Benvenuto Cellini<\/p>\r\n\r\n<p>Bergen Philharmonic Orchestra<\/p>\r\n\r\n<p>Sir Andrew Davis, direction<\/p>\r\n\r\n<p>CD Chandos CHSA 5118<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Les Nuits d&#8217;\u00e9t\u00e9<\/em><\/h5>\r\n\r\n<p>Pablo Bemsch, t\u00e9nor<\/p>\r\n\r\n<p>Hanna Hipp, mezzo-soprano<\/p>\r\n\r\n<p>Susana Gaspar, soprano<\/p>\r\n\r\n<p>Southbank Sinfonia<\/p>\r\n\r\n<p>Volker Krafft, direction<\/p>\r\n\r\n<p>Avec : Massenet, Le Portrait de Manon<\/p>\r\n\r\n<p>CD Opera Rara ORC47<\/p>\r\n\r\n<p>Textes d&#8217;accompagnement de Hugh Macdonald<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Grande messe des morts<\/em><\/h5>\r\n\r\n<p>Sir Colin Davis, direction<\/p>\r\n\r\n<p>Harry Banks, t\u00e9nor<\/p>\r\n\r\n<p>London Symphony Chorus<\/p>\r\n\r\n<p>London Philharmonic Chorus<\/p>\r\n\r\n<p>London Symphonic Orchestra<\/p>\r\n\r\n<p>Super Audio CD, 2 volumes<\/p>\r\n\r\n<p>LSO Live \u2013 Mars 2013&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<hr class=\"wp-block-separator has-text-color has-cyan-bluish-gray-color has-alpha-channel-opacity has-cyan-bluish-gray-background-color has-background\"\/>\r\n\r\n\r\n<h3 class=\"wp-block-heading\">&nbsp;2012<\/h3>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Symphonie fantastique<\/em><\/h5>\r\n\r\n<p>Leonard Slatkin, direction<\/p>\r\n\r\n<p>Orchestre National de Lyon<\/p>\r\n\r\n<p>Naxos<\/p>\r\n\r\n<p>Collection Naxos Et Ses Labels<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>R\u00e8verie et Caprice pour violon et orchestre op.8<\/em><\/h5>\r\n\r\n<p>Julien Chauvin, violon<\/p>\r\n\r\n<p>Bertrand Chamayou, piano<\/p>\r\n\r\n<p>Le Cercle de l&#8217;Harmonie<\/p>\r\n\r\n<p>J\u00e9r\u00e9mie Rhorer, direction<\/p>\r\n\r\n<p>In : Le Paris des Romantiques<\/p>\r\n\r\n<p>Avec : Reber, Symphony n\u00b04 op.33 &#8211; Liszt, Concerto pour piano n\u00b01<\/p>\r\n\r\n<p>CD Na\u00efve\/Ambroisie &#8211; AMB207<\/p>\r\n\r\n<p>Enregistrement de 2012<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Symphonie Fantastique<\/em><\/h5>\r\n\r\n<p>Ouverture de B\u00e9atrice et B\u00e9n\u00e9dict<\/p>\r\n\r\n<p>Orchestre de chambre d&#8217;Ecosse<\/p>\r\n\r\n<p>Robin Tocciati, direction<\/p>\r\n\r\n<p>CD Linn Records &#8211; CKD400<\/p>\r\n\r\n<p>Enregistrement de 2011<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Les Nuits d&#8217;\u00e9t\u00e9<\/em><\/h5>\r\n\r\n<p>V\u00e9ronique Gens, soprano<\/p>\r\n\r\n<p>Orchestre des Pays de la Loire<\/p>\r\n\r\n<p>John Axelrod, direction<\/p>\r\n\r\n<p>Avec :<\/p>\r\n\r\n<p>Herminie<\/p>\r\n\r\n<p>Ravel : Sh\u00e9h\u00e9razade<\/p>\r\n\r\n<p>CD ONDINE &#8211; ODE1200-2<\/p>\r\n\r\n\r\n\r\n<p>Pour illustrer l&#8217;article d&#8217;Alain Reynaud &#8220;Le Serpent sans Sornettes&#8221; du bulletin n\u00b0 46 :<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Musiques de la Renaissance et du Baroque (1550-1650) pour serpent et orgue<\/em><\/h5>\r\n\r\n<p>Premi\u00e8re mondiale<\/p>\r\n\r\n<p>Volny Hostiou, serpent<\/p>\r\n\r\n<p>Eva Godard, cornets &#8211; Thomas Van Essen, baryton<\/p>\r\n\r\n<p>Fran\u00e7ois M\u00e9nissier, orgue Renaissance de Mont-Saint-Aignan<\/p>\r\n\r\n<p>CD Hybrid&#8217;music label \u2013 Collection Classique 2012<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>B\u00e9atrice et B\u00e9n\u00e9dict : Ouverture op. 27<\/em><\/h5>\r\n\r\n<p>Harold en Italie op. 16<\/p>\r\n\r\n<p>David Aaron Carpenter, alto<\/p>\r\n\r\n<p>Orchestre Philharmonique d&#8217;Helsinki<\/p>\r\n\r\n<p>Vladimir Ashkenazy, direction<\/p>\r\n\r\n<p>Avec :<\/p>\r\n\r\n<p>Paganini : Sonate pour alto et orchestre op. 35<\/p>\r\n\r\n<p>CD Ondine ODE 11882<\/p>\r\n\r\n<p>Enregistrement de 2011<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Grande Messe des morts<\/em><\/h5>\r\n\r\n<p>Robert Murray, t\u00e9nor<\/p>\r\n\r\n<p>Gabrieli Players and Consort<\/p>\r\n\r\n<p>Chetham&#8217;s Symphonic Bass Ensemble<\/p>\r\n\r\n<p>Choeur et Orchestre Philharmonique de Wroclaw<\/p>\r\n\r\n<p>Paul McCreesh, direction<\/p>\r\n\r\n<p>2 CD Signum SIGCD280<\/p>\r\n\r\n<p>Enregistrement de 2010<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<hr class=\"wp-block-separator has-text-color has-cyan-bluish-gray-color has-alpha-channel-opacity has-cyan-bluish-gray-background-color has-background\"\/>\r\n\r\n\r\n<h3 class=\"wp-block-heading\">&nbsp;2011<\/h3>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Les Nuits d&#8217;\u00e9t\u00e9<\/em><\/h5>\r\n\r\n<p>Anne-Catherine Gillet, soprano<\/p>\r\n\r\n<p>Orchestre Philharmonique Royal de Li\u00e8ge<\/p>\r\n\r\n<p>Paul Daniel, direction<\/p>\r\n\r\n<p>Avec :<\/p>\r\n\r\n<p>Barber : Knoxville summer of 1915<\/p>\r\n\r\n<p>Britten : Les illuminations<\/p>\r\n\r\n<p>CD EAN<\/p>\r\n\r\n<p>R\u00e9f\u00e9rence AE1113<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\">Monologue et air de Didon &#8220;Je vais mourir&#8221; <em>(Les Troyens)<\/em><\/h5>\r\n\r\n<p>Entr\u00e9e des constructeurs, de matelots et de laboureurs (Les Troyens)<\/p>\r\n\r\n<p>In : V\u00e9ronique Gens. Trag\u00e9diennes 3<\/p>\r\n\r\n<p>Avec : Gluck, Gossec, M\u00e9hul, Mermet, Massenet, Meyerbeer, Saint-Saens, Kreutzer, Verdi<\/p>\r\n\r\n<p>V\u00e9ronique Gens, soprano<\/p>\r\n\r\n<p>Les Talens Lyriques<\/p>\r\n\r\n<p>Christophe Rousset , direction<\/p>\r\n\r\n<p>CD Virgin Classics 0709272<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Les Nuits d&#8217;\u00e9t\u00e9<\/em><\/h5>\r\n\r\n<p>Anne Sofie von Otter, mezzo-soprano<\/p>\r\n\r\n<p>Marc Minkowski, direction<\/p>\r\n\r\n<p>Avec : Harold en Italie<\/p>\r\n\r\n<p>CD NAIVE 82218652662<\/p>\r\n\r\n<p>Enregistr\u00e9 \u00e0 Versailles le 21 Avril 2011<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Symphonie Fantastique (arrangement de Franz Liszt)<\/em><\/h5>\r\n\r\n<p>Harold en Italie (arrangement de Franz Liszt)<\/p>\r\n\r\n<p>Idil Biret, piano<\/p>\r\n\r\n<p>Rusen G\u00fcnes, alto<\/p>\r\n\r\n<p>2 CD &#8211; Label : Idil Biret Archive<\/p>\r\n\r\n<p>R\u00e9f\u00e9rence : 857128485 0747313128471<\/p>\r\n\r\n<p>Enregistr\u00e9 en juillet 1978 \u00e0 New York (Symphonie fantastique) et en janvier 2011 au Bilkent Symphony Hall (Harold en Italie) &#8211; Notes en anglais<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Les Troyens&nbsp;<\/em><\/h5>\r\n\r\n<p>Valery Gergiev, direction<\/p>\r\n\r\n<p>Lance Ryan, En\u00e9e<\/p>\r\n\r\n<p>Gabriele Viviani, Chor\u00e8be<\/p>\r\n\r\n<p>Giorgio Giuseppini, Panth\u00e9e<\/p>\r\n\r\n<p>Stephen Milling, Narbal<\/p>\r\n\r\n<p>Eric Cutler, Iopas<\/p>\r\n\r\n<p>Oksana Shilova, Ascagne<\/p>\r\n\r\n<p>Elisabete Matos, Cassandre<\/p>\r\n\r\n<p>Daniela Barcellona, Didon<\/p>\r\n\r\n<p>Zlata Bulicheva, Anna<\/p>\r\n\r\n<p>Dmitri Voropaev, Hylas<\/p>\r\n\r\n<p>Cor de la Generalitat Valenciana<\/p>\r\n\r\n<p>Orquestra de la Comunitat Valenciana<\/p>\r\n\r\n<p>La Fura dels Baus, Carlus Padrissa, mise en sc\u00e8ne&nbsp;<\/p>\r\n\r\n<p>Enregistr\u00e9 au Palau de les Arts \u00ab Reina Sofia \u00bb \u00e0 Valence le 9 Novembre 2009&nbsp;<\/p>\r\n\r\n<p>2 DVD UNITEL CLASSICA&nbsp;&nbsp;<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\">D&#8217;amour l&#8217;ardente flamme <em>( La Damnation de Faust )<\/em><\/h5>\r\n\r\n<p>Premiers transports que nul n&#8217;oublie ( Rom\u00e9o et Juliette )<\/p>\r\n\r\n<p>In : Joyce DiDonato. Diva, Divo. Opera Arias<\/p>\r\n\r\n<p>Avec : Mozart, Rossini, Gounod, Bellini, Massenet, Gluck, Strauss<\/p>\r\n\r\n<p>Joyce DiDonato, mezzo-soprano<\/p>\r\n\r\n<p>Ch\u0153ur et Orchestre de l&#8217;Op\u00e9ra national de Lyon<\/p>\r\n\r\n<p>Kazushi Ono, direction<\/p>\r\n\r\n<p>CD Virgin Classics 641986 0<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>La Damnation de Faust&nbsp;<\/em><\/h5>\r\n\r\n<p>Radio Filharmonisch Orkest<\/p>\r\n\r\n<p>Groot Omroepkoor<\/p>\r\n\r\n<p>Bernard Haitink, direction<\/p>\r\n\r\n<p>Vincent Cole, t\u00e9nor (Faust)<\/p>\r\n\r\n<p>Thomas Quasthoff, baryton-basse (M\u00e9phistoph\u00e9l\u00e8s)<\/p>\r\n\r\n<p>Jaco Huijpen, basse (Brander)<\/p>\r\n\r\n<p>Charlotte Margiano, soprano (Marguerite)&nbsp;<\/p>\r\n\r\n<p>2 CD Challenge Classics CC 72514&nbsp;&nbsp; Enregistr\u00e9 en 1999<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Les Nuits d&#8217;\u00e9t\u00e9<\/em><\/h5>\r\n\r\n<p>Isabelle Druet (mezzo-soprano)<\/p>\r\n\r\n<p>Johanne Ralambondrainy (piano)<\/p>\r\n\r\n<p>Titre de l&#8217;album : \u00ab Jardin nocturne \u00bb<\/p>\r\n\r\n<p>Avec : M\u00e9lodies de Poulenc, Halphen, Massenet, Chausson, Faur\u00e9 et Hahn<\/p>\r\n\r\n<p>1 CD Apart\u00e9 AP013, distr. HM<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Les Nuits d&#8217;\u00e9t\u00e9<\/em><\/h5>\r\n\r\n<p>Avec : Haendel, airs<\/p>\r\n\r\n<p>Lorraine Hunt Lieberson, mezzo-soprano<\/p>\r\n\r\n<p>Philharmonia Baroque Orchestra<\/p>\r\n\r\n<p>Nicholas McGegan, direction<\/p>\r\n\r\n<p>CD Philharmonia Baroque Productions Enregistrement public, 11- 12 XI 1995 ( NE ), 19 X 1991 (Haendel)<\/p>\r\n\r\n<p>Les Nuits d&#8217;\u00e9t\u00e9<\/p>\r\n\r\n<p>( arr. pour voix et orchestre de chambre de David Matthews)<\/p>\r\n\r\n<p>(Premier enregistrement mondial)<\/p>\r\n\r\n<p>Avec : Mahler, Symphonie n\u00b0 4 (arr. 1920 pour orchestre de chambre de Erwin Steiand reconstitu\u00e9 par le chef d&#8217;orchestre Alexander Platt)<\/p>\r\n\r\n<p>Heather Shipp , mezzo-soprano<\/p>\r\n\r\n<p>Orchestra of the Swan<\/p>\r\n\r\n<p>David Curtis , direction<\/p>\r\n\r\n<p>CD SOMM SOMMCD245&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\">Villanelle <em>( Les Nuits d&#8217;\u00e9t\u00e9 )<\/em><\/h5>\r\n\r\n<p>In : An die Musik<\/p>\r\n\r\n<p>Avec : Schubert, Schumann, Gounod, Debussy<\/p>\r\n\r\n<p>Gis\u00e8le Mons\u00e9gur Vaillant, soprano et piano<\/p>\r\n\r\n<p>CD ADG Paris Enregistrement public<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Marche de p\u00e8lerins chantant la pri\u00e8re du soir de la Symphonie d&#8217;Harold compos\u00e9e par Berlioz (Liszt)<\/em><\/h5>\r\n\r\n<p>In : Liszt, New Discoveries , Volume 3<\/p>\r\n\r\n<p>Leslie Howard, piano<\/p>\r\n\r\n<p>2 CD Hyperion CDA67810 Enregistrement Londres, 20- 22 II 2009<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Symphonie Fantastique, Cl\u00e9op\u00e2tre<\/em><\/h5>\r\n\r\n<p>Orchestre Philharmonique de Rotterdam<\/p>\r\n\r\n<p>Yannick N\u00e9zet-S\u00e9guin, direction<\/p>\r\n\r\n<p>Anna Caterina Antonacci (soprano)<\/p>\r\n\r\n<p>1 SACD Bis SACD1800, distr. Codaex<\/p>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Symphonie fantastique<\/em> (Liszt)<\/h5>\r\n\r\n<p>Avec : Liszt, Ann\u00e9es de p\u00e8lerinage ( Premi\u00e8re ann\u00e9e : Suisse ), Chapelle de Guillaume Tell, Au bord d&#8217;une source, Vall\u00e9e d&#8217;Obermann<\/p>\r\n\r\n<p>Roger Muraro, piano<\/p>\r\n\r\n<p>CD Decca Classics 4764176 Enregistrement MC2, Grenoble, 27 IX- 1 X 2010<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<hr class=\"wp-block-separator has-text-color has-cyan-bluish-gray-color has-alpha-channel-opacity has-cyan-bluish-gray-background-color has-background\"\/>\r\n\r\n\r\n<h3 class=\"wp-block-heading\">&nbsp;2010<\/h3>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<h5 class=\"wp-block-heading\"><em>Symphonie Fantastique<\/em><\/h5>\r\n\r\n<p>Dans &#8220;Les clefs de l&#8217;orchestre&#8221;, pr\u00e9sent\u00e9 par Jean-Fran\u00e7ois Zygel<br \/>\r\nOrchestre Philharmonique de Radio France<br \/>\r\nMyung-Whun Chung, direction<br \/>\r\n&#8211; DVD bonus : entretien avec Catherine Cl\u00e9ment autour de Berlioz \u00e9crivain<br \/>\r\n&#8211; l\u2018int\u00e9gralit\u00e9 de la Symphonie Fantastique en concert<br \/>\r\n&#8211; des improvisations sur un th\u00e8me de la symphonie (le fameux Dies Irae)<br \/>\r\n&#8211; la d\u00e9couverte du serpent, un dr\u00f4le d&#8217;instrument<br \/>\r\n&#8211; un tr\u00e8s riche livret contenant de larges extraits des m\u00e9moires de Berlioz, des lettres, des documents rares\u2026<\/p>\r\n\r\n<p>2 DVD NAIVE<\/p>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n\r\n<hr class=\"wp-block-separator has-text-color has-cyan-bluish-gray-color has-alpha-channel-opacity has-cyan-bluish-gray-background-color has-background\"\/>\r\n\r\n\r\n<h3 class=\"wp-block-heading\">Enregistrements ant\u00e9rieurs<\/h3>\r\n\r\n\r\n<figure class=\"wp-block-table is-style-stripes\">\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><\/td>\r\n<\/tr>\r\n<tr>\r\n<td><p><strong><em><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">Benvenuto Cellini<\/mark><\/em><\/strong><\/p>\r\n<p>Gregory Kunde (Cellini), Laura Claycomb (Teresa), Darren Jeffery (Balducci), Peter Coleman-Wright ( Fieramosca), Andrew Kennedy (Francesco), Isabelle Cals (Ascanio), Jacques Imbrailo (Pompeo), John Relyea (Le pape Cl\u00e9ment VII), Andrew Foster-Williams (Bernardino), Alasdair Elliott (Cabaretier), London Symphony Chorus, London Symphony Orchestra, dir. Sir Colin Davis.<\/p>\r\n<p>2 SACD LSO0623<br \/>\r\nEnregistr\u00e9 au Barbican, Londres, les 26 et 29 juin 2007.<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>&nbsp;<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><p><strong><em><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">Benvenuto Cellini<\/mark><\/em><\/strong><\/p>\r\n<p>Gregory Kunde, Benvenuto Cellini<br \/>\r\nPatrizia Ciofi, Teresa<br \/>\r\nJoyce di Donato, Ascanio<br \/>\r\nJean-Fran\u00e7ois Lapointe, Fieramosca<br \/>\r\nLaurent Naouri, Balducci<br \/>\r\nRenaud Delaigue, Le Pape<br \/>\r\nEric Salha, Francesco<br \/>\r\nMarc Mauillon, Barnardino<br \/>\r\nEric Huchet, Le cabaretier<br \/>\r\nRonan N\u00e9d\u00e9lec, PompeoChoeur de Radio France<br \/>\r\nOrchestre National de France<br \/>\r\n<strong>John Nelson<\/strong><\/p>\r\n<p>Enregistrement public les 8 et 11 d\u00e9cembre 2003 \u00e0 la Maison de la Radio, Paris<br \/>\r\n3 CD Virgin Classics 7 24354 57062 9 (2004)<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>&nbsp;<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><p><strong><em><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">Le Carnaval romain<\/mark><\/em><\/strong><\/p>\r\n<p>In&nbsp;:&nbsp;<em>Sergiu Celibidache in Berlin: The Early Years, 1945-1948<\/em>.<br \/>\r\nBerliner Philharmoniker, Berliner Rundfunkorchester.<br \/>\r\nAvec&nbsp;: Beethoven, Brahms, Strauss, Dvor\u00e1k, Britten, Prokofiev, Haydn, Debussy, Gli\u00e8re, Tcha\u00efkovski, Busoni.<\/p>\r\n<p>4CD Music &amp; Arts CD-1079(4)<br \/>\r\nEnregistr\u00e9 le 19 avril 1947 (<em>Le Carnaval romain<\/em>).<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>&nbsp;<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><p><strong><em><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">Cl\u00e9op\u00e2tre<\/mark><\/em><\/strong><\/p>\r\n<p>In&nbsp;:&nbsp;<em>Royal Mezzo<\/em>. Jennifer Larmore, mezzo-soprano&nbsp;; Grand Park Orchestra, dir. Carlos Kalmar.<br \/>\r\nAvec&nbsp;: Barber,&nbsp;<em>Andromache&#8217;s Farewell&nbsp;<\/em>; Ravel,&nbsp;<em>Sh\u00e9h\u00e9razade&nbsp;<\/em>; Britten,&nbsp;<em>Phaedra<\/em>.<\/p>\r\n<p>CD Cedille CDR 90000 104<br \/>\r\nEnregistr\u00e9 en concert au Orchestra Hall, Chicago, les 4 et 5 ao\u00fbt 2006 (Barber et Berlioz) et au Harris Theater for Music and Dance in Millenium Park, Chicago, les 29 et 30 juin 2007 (Ravel et Britten).<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>&nbsp;<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><p><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">S\u00e9r\u00e9nade de M\u00e9phistoph\u00e9l\u00e8s (<em>La Damnation de Faust<\/em>)<\/mark><\/strong><\/p>\r\n<p>In&nbsp;:&nbsp;<em>Mirco Palazzi&nbsp;: recital di arie d&#8217;opera e da camera<\/em>.<br \/>\r\nMirco Palazzi, basse&nbsp;; Hong Joo Hun, piano.<br \/>\r\nAvec&nbsp;: Handel,&nbsp;Mozart,&nbsp;Rossini,&nbsp;Verdi,&nbsp;Ravel,&nbsp;Tosti, Donizetti, Schubert, Kern.<br \/>\r\nCD Bongiovanni GB 2557-2Enregistr\u00e9 sur le vif au Teatro delle Logge, Montecosaro, le 2 septembre 2007.<br \/>\r\nInvocation de Faust \u00e0 la nature (<em><strong>La Damnation de Faust<\/strong><\/em>)In&nbsp;:&nbsp;<em>Jonas Kaufmann &#8211; Romantic Arias<\/em>.<br \/>\r\nJonas Kaufmann, t\u00e9nor&nbsp;; Jana Sibera, soprano&nbsp;; Prague Philharmonic Orchestra, dir. Marco Armiliato.Avec&nbsp;: Bizet, Flotow, Gounod, Massenet, Puccini, Verdi, Wagner, Weber.<\/p>\r\n<p>CD Decca 475 9966DH<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>&nbsp;<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><p><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">Air de M\u00e9phistoph\u00e9l\u00e8s \u00ab&nbsp;Voici des roses&nbsp;\u00bb (<em>La Damnation de Faust<\/em>)<\/mark><\/strong><\/p>\r\n<p>In&nbsp;: Erwin Schrott. Arias by Mozart, Verdi, Berlioz, Gounod &amp; Meyerbeer.<br \/>\r\nOrquestra de la Comunitat Valenciana, dir. Riccardo Frizza.CD Decca 4780473<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>&nbsp;<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><p><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">Air de M\u00e9phistoph\u00e9l\u00e8s \u00ab&nbsp;Voici des roses&nbsp;\u00bb (<em>La Damnation de Faust<\/em>)<\/mark><\/strong><\/p>\r\n<p>In&nbsp;:&nbsp;<em>Ren\u00e9 Pape. Gods, Kings &amp; Demons<br \/>\r\n<\/em>\u0152uvres de Berlioz, Boito, Dvor\u00e1k, Gounod, Offenbach, Moussorgski, Rubinstein, Verdi, Wagner<br \/>\r\nStaatskapelle Dresden, dir. Sebastian Weigle.<\/p>\r\n<p>CD DG 477 6408<br \/>\r\nEnregistr\u00e9 en 2008.<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>&nbsp;<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><p><strong><em><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">L&#8217;Enfance du Christ<\/mark><\/em><\/strong><\/p>\r\n<p>Ed Lyon, t\u00e9nor ; David Wilson-Johnson, basse ; Mireille Delunsch, soprano ; Masahi Tsuji, t\u00e9nor ; William Dazeley, basse ; Salzburger Bachchor ; Mozarteum Orchester Salzburg, dir. Ivor Bolton.<\/p>\r\n<p>2CD Oehms OC 917<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>&nbsp;<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><p><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\"><strong><em>Symphonie fantastique<\/em><\/strong>,<strong>&nbsp;<em>Cl\u00e9op\u00e2tre<\/em><\/strong><\/mark><\/p>\r\n<p>Susan Graham, mezzo-soprano&nbsp;; Berliner Philharmoniker, dir. Sir Simon Rattle.<\/p>\r\n<p>CD EMI Classics 21622403<br \/>\r\nEnregistr\u00e9 en 2007.<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>&nbsp;<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><p><strong><em><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">Symphonie fantastique<\/mark><\/em><\/strong><\/p>\r\n<p>Los Angeles Philharmonic, dir. Gustavo Dudamel.<\/p>\r\n<p>CD Deutsche Grammophon 477 7822 Coll. \u00ab&nbsp;DG Concerts&nbsp;\u00bb<br \/>\r\nEnregistr\u00e9 en public au Walt Disney Concert Hall, Los Angeles, du 28 au 30 mars 2008.<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>&nbsp;<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><p><strong><em><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">Les Troyens<\/mark><\/em><\/strong><\/p>\r\n<p>Susan Graham, Didon<br \/>\r\nAnna Caterina Antonacci, Cassandre\/Clio<br \/>\r\nRenata Pokupic, Anna<br \/>\r\nGregory Kunde, En\u00e9e<br \/>\r\nLudovic T\u00e9zier, Chor\u00e8be<br \/>\r\nNicolas Test\u00e9, Panth\u00e9e<br \/>\r\nLaurent Naouri, Narbal\/Le Grand Pr\u00eatre<br \/>\r\nMark Padmore, Iopas<br \/>\r\nRen\u00e9 Schirrer, Priam\/Mercure<br \/>\r\nSt\u00e9phanie d&#8217;Oustrac, Ascagne<br \/>\r\nTopi Lehtipuu, Hylas\/H\u00e9l\u00e9niusMonteverdi Choir<br \/>\r\nChoeur du Th\u00e9\u00e2tre du Ch\u00e2telet<br \/>\r\nOrchestre R\u00e9volutionnaire et Romantique<br \/>\r\n<strong>John Eliot Gardiner<\/strong><\/p>\r\n<p>Yannis Kokkos, mise en sc\u00e8ne, d\u00e9cors, costumes<br \/>\r\nPatrice Trottier, lumi\u00e8res<br \/>\r\nRichild Springer, chor\u00e9graphies<\/p>\r\n<p>Enregistr\u00e9 au Ch\u00e2telet&nbsp; en octobre 2003<\/p>\r\n<p>3 DVD Opus Arte&nbsp; &#8211; 8 09478 00900 9 (2004)<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>&nbsp;<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\"><strong><em>Vocal Works with Orchestra<\/em><\/strong><br \/>\r\n<strong><br \/>\r\n<em>La Belle Voyageuse<\/em><\/strong>,&nbsp;<strong><em>La Captive<\/em><\/strong>,&nbsp;<strong><em>Le Jeune P\u00e2tre breton<\/em><\/strong>,&nbsp;<strong><em>Za\u00efde<\/em><\/strong>,&nbsp;<strong><em>Sara la baigneuse<\/em><\/strong>,&nbsp;<strong><em>Tristia<\/em><\/strong>,&nbsp;<strong><em>Chant sacr\u00e9<\/em><\/strong>,&nbsp;<strong><em>H\u00e9l\u00e8ne<\/em><\/strong>,&nbsp;<strong><em>Le Ballet des ombres<\/em><\/strong><\/mark><br \/>\r\n<strong><em><br \/>\r\n<\/em><\/strong>Laura Aikin, soprano ; Lani Poulson, mezzo-soprano ; SWR Vokalensemble Stuttgart ; SWR Sinfonieorchester Baden-Baden und Freiburg, dir. Sylvain Cambreling.<\/p>\r\n<p>CD H\u00e4nssler Classic 093.210.000<br \/>\r\nEnregistr\u00e9 en 2007.<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>&nbsp;<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/figure>\r\n\r\n\r\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\r\n\r\n<p>Suite voir :<\/p>\r\n\r\n<p>> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-luminous-vivid-orange-color\"><a href=\"http:\/\/obkgqww.cluster023.hosting.ovh.net\/index.php\/mieux-connaitre-berlioz\/ecouter\/discographie-cumulative\/reeditions\/\" data-type=\"page\" data-id=\"3446\">R\u00e9\u00e9ditions<\/a><\/mark><\/p>\r\n\r\n<p>> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-luminous-vivid-orange-color\"><a href=\"http:\/\/obkgqww.cluster023.hosting.ovh.net\/index.php\/mieux-connaitre-berlioz\/ecouter\/discographie-cumulative\/compilations\/\" data-type=\"page\" data-id=\"3453\">Compilations<\/a><\/mark><\/p>\r\n\r\n<p>> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-luminous-vivid-orange-color\"><a href=\"http:\/\/obkgqww.cluster023.hosting.ovh.net\/index.php\/mieux-connaitre-berlioz\/ecouter\/discographie-cumulative\/autour-de-berlioz\/\" data-type=\"page\" data-id=\"3450\">Autour de Berlioz<\/a><\/mark><\/p>\r\n\r\n\r\n<p>[\/vc_column_text][\/vc_column][vc_column][\/vc_column][\/vc_row]<\/p>\r\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_mad_blog_posts items=&#8221;10&#8243; categories=&#8221;disques-et-dvds-archives&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text] Classement chronologique 2020 Mars 2020 Grande Messe des morts (Requiem) Barry Banks, t\u00e9nor London Symphony Chorus London Philharmonic Choir London Symphony Orchestra Sir Colin Davis 2 CD [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3243,"parent":2822,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2846","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.berlioz-anhb.com\/index.php\/wp-json\/wp\/v2\/pages\/2846","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.berlioz-anhb.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.berlioz-anhb.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.berlioz-anhb.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.berlioz-anhb.com\/index.php\/wp-json\/wp\/v2\/comments?post=2846"}],"version-history":[{"count":60,"href":"https:\/\/www.berlioz-anhb.com\/index.php\/wp-json\/wp\/v2\/pages\/2846\/revisions"}],"predecessor-version":[{"id":4675,"href":"https:\/\/www.berlioz-anhb.com\/index.php\/wp-json\/wp\/v2\/pages\/2846\/revisions\/4675"}],"up":[{"embeddable":true,"href":"https:\/\/www.berlioz-anhb.com\/index.php\/wp-json\/wp\/v2\/pages\/2822"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.berlioz-anhb.com\/index.php\/wp-json\/wp\/v2\/media\/3243"}],"wp:attachment":[{"href":"https:\/\/www.berlioz-anhb.com\/index.php\/wp-json\/wp\/v2\/media?parent=2846"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}